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Jordan Hoffman

‘The Wolf of Wall Street’ Review

The Wolf of Wall Street Review
Paramount Pictures

'The Wolf of Wall Street,' Martin Scorsese's most dynamic and spry film since 'GoodFellas,' is an up close and personal tour of a snarling den of unchecked depravity. Really, theaters should be handing out bottles of Purel with the tickets. What begins as jovial bad behavior spirals out into an excess and deviance rarely shown on the screen.

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‘Anchorman 2′ Review

Anchorman 2 Review
Paramount

There are a handful of extremely funny, laugh-out-loud moments in 'Anchorman 2: The Legend Continues.' One happens early – the reveal that David Koechner now runs a cut-rate fast-food joint that saves money by serving fried bats (or, as he calls it, “chicken of the cave"). Another is a retread from the first film – a battle royale of news teams from various networks, but this time even more extreme. There's also great humor in what I suppose passes for “the point” of this movie – that lowest common denominator attitudes like those of Will Ferrell's Ron Burgundy are what inadvertently invented the cesspool of modern cable news.

Of course, what you will find funny is entirely dependent on your own taste, but these highlighted scenes (and several others, I must point out) really landed with me. It struck me later, as I was trying to piece together why the movie felt about six hours long, that these moments were all dependent on gags that could not have been ad-libbed. Ferrell, Koechner, Paul Rudd, Steve Carell and the rest of the gang are deservedly respected for their quick-thinking comedy chops. When they get together and riff, few can top them. The problem is that 'Anchorman 2' relies on this far, far too much. It's like a a dessert plate where mounds of fluffy whipped cream obscures the fact that, underneath, there's only a tiny bite of pie.

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‘The Hobbit: The Desolation of Smaug’ Review

The Hobbit The Desolation of Smaug Review
Warner Bros.

There comes a time when we must stop kidding ourselves. These 'Hobbit' films – with 'The Desolation of Smaug' representing the shank of the trilogy – are not real movies. These are exploitation films for Tolkien nuts, for enthusiasts of the original 'Lord of the Rings' movies and for audiences so hungry for high fantasy they'll gobble up whatever is served to them and ask for seconds.

As someone who has sympathy, but not empathy, for those who have such proclivities, I can get why someone might come away liking this picture. But that is more of an involuntary reaction to exposure to certain elements, not the summation of a film. Listen, there's a grey-bearded wizard who warns in low tones about a place that sounds like “Doggledoor.” And there's someone referred to as “Thorin son of Thrain son of Thror.” I love that geekorama stuff more than most. It's hilarious, and I'll probably refer to my cat as “Thorin son of Thrain son of Thror” for the next week. But this movie doesn't cohere – there's no forward momentum, no character development, no story happening. Anyone who tells you otherwise is a fibber.

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‘American Hustle’ Review

American Hustle review
Sony Pictures

There is so much hair in 'American Hustle.'

Christian Bale's disastrous comb-over/rug combo basically opens the film with a wordless monologue. Beneath that unnatural mop is the sharp mind of Irving Rosenfeld, a “from the feet up” con man making the leap from running legit (but boring) dry cleaning businesses to grifting down-on-their-luck rubes on bad bank loans. His operation starts taking off when he hooks up with Amy Adams, a natural businesswoman looking to reinvent herself. She does this with a name change, a phony British accent and, later in the film, by frizzing her hair out to preposterous proportions.

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‘Frozen’ Review

Frozen Review
Disney

Sometimes great artistry comes from coloring inside the lines.

Walt Disney Animation's newest film, 'Frozen,' does precious little to push the boundaries of narrative storytelling. Indeed, it is a quite predictable – might I even suggest formulaic - culmination of elements. While picking over the bones of a half-remembered Hans Christian Andersen story, 'The Snow Queen,' Jennifer Lee and Chris Buck's film expands certain themes, disposes of some characters and, of course, modernizes a bit for contemporary audiences. However, miraculously, this doesn't feel like a Xerox of a Xerox impersonating a classic Disney film. There's precious little winking; hardly any of the 'Shrek'-effect. 'Frozen' has enough of the goods to play it straight and succeed on its own terms. It is a major entry in family-friendly entertainment, one that ought to reverberate for years with tie-in toys and stage productions.

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‘Oldboy’ Review

Oldboy review
FilmDistrict

You'd think that a guy trapped in a hotel room for 20 years would find a better movie to be in once he got out, right?

'Oldboy,' Spike Lee's remake of the Park Chan-wook cult film from 2003, is a fairly rotten film, which is strange because it is very similar to the rather effective original. Sometimes, though, there's something gained in the translation.

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‘The Hunger Games: Catching Fire’ Review

Hunger Games Catching Fire review
Lionsgate

When the closing credits rolled after the original 'The Hunger Games,' I thought to myself "eh, not bad." But I was in no rush to see the follow-up. When the closing credits rolled after Francis Lawrence's 'The Hunger Games: Catching Fire,' after I was able to collect myself, I was fully prepared to run out and get a mockingjay tattoo. Over my heart. With the phrase, "I will lay down my life for you, Katniss Everdeen, because you are the first and finest true hero of 21st century cinema."

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‘Lone Survivor’ Review

Lone Survivor review
Universal Pictures

War, in case you've forgotten, is hell.

I don't mean to sound flip concerning a very serious topic, but I'm not really sure what else to glean from Peter Berg's 'Lone Survivor,' a based-on-true-story tale of a Navy SEAL operation gone south. It is a brutal, unpleasant way to spend two hours. The violence is relentless and unsubtle, and when the audio/visual PTSD smoke clears, there's the realization that you've learned nothing about these characters or the wider situation in Afghanistan. Berg's sole intent is to simply show the job these men do - “gotta pay the bills,” one character IMs to his wife. While slice-of-life narrative can sometimes be rewarding, in a film with as much manipulation as this it just isn't enough. 'Lone Survivor' rattles but it doesn't stir.

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‘Delivery Man’ Review

Delivery Man Review
DreamWorks

To be a heart-on-your-sleeve weepie in 2013, you've got to have some far-fetched gimmick. 'About Time' has time travel, 'Safe Haven' had ghosts and 'Delivery Man' has Vince Vaughn as an anonymous sperm donor hunted down by hundreds of his young-adult offspring. The mechanics of the plot are so ludicrous that audiences should be forgiven for shouting, “No, sorry, it wouldn't work that way!” back at the screen. But one has to give the movie credit for its sheer audacity. It refused to offer an explanation for its instigating illogic. Great character actor Damian Young gets the unenviable task of delivering the hook with the phrase “certain complications arose ...”

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