Todd Gilchrist Biography

Clark Gregg Interview: How and Why He's Able to Return in Marvel's 'Agents of S.H.I.E.L.D.'

by Todd Gilchrist June 13, 2013 @ 10:16 AM
Although the peak of his supporting-player participation came to a head in 'The Avengers,' Clark Gregg has always provided the heart and soul of many movies that otherwise lacked them. And in 'Much Ado About Nothing,' he’s the voice of outrage, the protector of a young woman’s virtue, even as a swirling ensemble of characters conspires to impugn it. Oddly, the two films share more in common than their writer-director, Joss Whedon – namely, that both utilize Gregg’s performance as a catalyst for the story to find its footing and pay off with the emotional strength that’s suggested in the text.
We sat down with Gregg at the recent Los Angeles press day for Much Ado About Nothing, where the gifted character actor talked about how he made the transition from working on one of the biggest films of all time, to one decidedly much smaller. In addition to describing the process of breaking down the language of Shakespeare’s iconic play to its most visceral elements, he offered insights into his expanding collaboration with Whedon, and revealed a few details about how his character Agent Coulson will not only be revived, but further explored in the upcoming television series 'Agents of S.H.I.E.L.D.'

'Man of Steel' Interview: Producer Deborah Snyder Explains How This Film Sets Up the New DC Universe

by Todd Gilchrist June 11, 2013 @ 8:17 AM
Warner Bros.
Since 1978, Hollywood has made five movies about Superman, all of which essentially characterized the superhero the same way: wholesome, morally resolute, and indefatigably heroic. The sixth - 'Man of Steel' - takes the character in another direction – technically, backwards. Director Zack Snyder’s film re-examines the character’s origin story, looking at the formative years, and experiences, which gave him the certitude and clarity to be Earth’s greatest protector. Meanwhile, audiences simultaneously get to thrill at watching the character test out his strength while battling General Zod, one of Superman’s greatest foes.
We sat down with producer Deborah Snyder at the recent Los Angeles press day for Man of Steel, where she seemed excited to finally be able to talk about the film. Perhaps appropriately, she discussed the balancing act that goes into deciding how much to disclose to audiences as a film like this is coming to theaters, and then revealed the attitude and approach which she and Zack took as they were reinventing the great-granddaddy of all superheroes. Finally, she offered some insights about where this Superman fits – both into the character’s own canon, and then the current landscape of heroes that Christopher Nolan razed when he paired Batman’s cape and cowl with a complex foundation of moral and personal ambiguities.

'Hangover 3' Interview: Director Todd Phillips Says There Will Never Be Another 'Hangover' Movie

by Todd Gilchrist May 24, 2013 @ 4:38 PM
Warner Bros.
No filmmaker has done more for the bromance than Todd Phillips. From 'Road Trip' to 'Old School' to, now, three 'Hangover' films, he’s detailed the love one man has for another man more thoroughly than just about anyone in Hollywood. And 'The Hangover Part III' feels almost weirdly like a last hurrah for the sorts of shenanigans that have become his stock and trade: reuniting the Wolf Pack under the pretense of getting Alan (Zach Galifianakis) some much-needed emotional counseling, Phil (Bradley Cooper) and Stu (Ed Helms) find themselves unwittingly teamed with their man-child companion yet again after a gangster (John Goodman) holds Doug (Justin Bartha) hostage in exchange for them locating Leslie Chow (Ken Jeong), whom he claims stole $21 million from him.
At the risk of great physical harm – namely, a pretty wicked hangover -- we headed to Las Vegas to talk to director Todd Phillips and screenwriter Craig Mazin about 'The Hangover Part III.' In addition to discussing the process of wrapping up the Wolf Pack saga, Mazin and Phillips explored the underlying appeal of the films to audiences, and gingerly addressed questions about what might follow from the purveyors of the most successful R-rated comedy series of all time.

Seth Green Interview: Talking With the 'Sexy Evil Genius'

by Todd Gilchrist May 10, 2013 @ 5:53 PM
Lionsgate Home Entertainment
In 'Sexy Evil Genius,' Seth Green leads a group of jilted lovers who have gathered at a local bar to commiserate over the same woman – Nikki (Katee Sackhoff), a likely-crazy young woman who’s now engaged to the lawyer who helped her secure release from a mental institution. If this doesn’t sound like the most light-hearted, uplifting story you’ve ever heard, consider the context in which it was made: screenwriter Scott Lew managed to score an all-star cast and crew to bring it to life, even as ALS (Lou Gehrig’s Disease) ravaged his body. And on the just-released DVD, Lew gets to explain how he conceived the film – with a little help from Green and company.
We spoke with Seth Green and director Shawn Piller earlier this week about Sexy Evil Genius. Both collaborators talked about why they first took on the film as an acting challenge, and then explained how it became personally important to get Scott Lew’s story told – not just the one in the screenplay, but the one unfolding in his real life.

Interview: Director Shane Black on Why He Wanted to Make 'Iron Man 3' Like 'Star Wars'

by Todd Gilchrist May 3, 2013 @ 11:09 AM
Although it’s the third installment in the series, 'Iron Man 3' operates in a new and different world than its predecessors. Taking place after the events in 'The Avengers,' the film examines the repercussions of Tony Stark surviving a near-death experience in order to save Earth from an alien invasion – PTSD, the possibility of other extraterrestrial invaders, and so on. But star Robert Downey, Jr. says that the change in the world within the film is symptomatic of changes in the one outside of it.
“On the first Iron Man, we went out and we went to Comic Con, and [Jon Favreau] had a flip phone in his hand and he goes, "This is how it's working from now. You know, the filmmakers, the artists, the departments heads they're all showmen and the audience is talking back, and they're going to ask you that question. In the post Avengers world, "what was it like for Tony and this and that?" So you kind of have to have thought about, and you have to have addressed it creatively.”
The man responsible for addressing it in 'Iron Man 3' is Shane Black, who directed the film and collaborated on its screenplay with writer Drew Pearce. We spoke to the pair at the film’s Los Angeles press day, where they talked about the changing landscape of Tony Stark’s life, and the changing world of superhero films within the Marvel Universe.

'Jack Reacher' Fight Training: We Learn How to Kick Ass Like Tom Cruise

by Todd Gilchrist April 30, 2013 @ 7:59 PM
Paramount Pictures
On May 7, Christopher McQuarrie’s proud return to the silver screen, 'Jack Reacher,' arrives on Blu-ray. The film, which stars Tom Cruise, is based on a series of books by author Lee Childs, and follows the title character, an ex-soldier who kicks a lot of ass while investigating a series of murders by a former U.S. army sniper. In advance of its upcoming release, Paramount Home Entertainment enlisted a small group of reporters to visit the Paramount Pictures back lot and experience first-hand what Cruise and his co-stars went through during shooting – including stunt driving, and most crucially, fight training. And we were there.

Olga Kurylenko Interview: Talking With the 'Oblivion' Dream Girl

by Todd Gilchrist April 19, 2013 @ 3:19 PM
Olga Kurylenko is a dream girl. I mean this literally: in 'Oblivion,' her latest film, she plays a mysterious woman who haunts a man’s dreams. And like Tom Cruise’s character, we soon realize that we’re more than a little bit in love with her, thanks to her quiet introspection, a sort of heartrending sincerity, and, sure, the fact that she’s drop-dead gorgeous. But then again, audiences have been getting slowly introduced to her over the past several years in a number of roles where she’s a troubled, unattainable and yet remarkably welcoming young beauty who wins the heart of her male counterparts.
We recently sat down with Kurylenko at the Los Angeles press day for Oblivion, where the actress had just survived a full day of interviews – we were her last. And though she apologized repeatedly, for some perceived fatigue on her part, she was engaged and thoughtful as she spoke about the role of Julia, playing a character introduced to audiences as a romantic ideal. Additionally, she discussed her collaboration with director Joe Kosinski ('TRON: Legacy'), and talked about how her own idealized past – as a former model – proves to be both a blessing and a curse as she continues to win the hearts not only of audiences, but filmmakers eager to work with the best actresses in Hollywood.

'Oblivion' Review

by Todd Gilchrist April 19, 2013 @ 5:43 AM
'Oblivion' is best described as opportunity, squandered. Its landscape – conceptual and physical – feels remarkably unique and bursting with possibilities, but the exploration of both lacks originality, and energy. Joe Kosinski’s follow-up to 'TRON: Legacy' is, like its predecessor, a gorgeously mounted, inventive world-building endeavor, but it’s also equally bloodless -- ponderous without being thoughtful, ambitious without being inspired, much less inspiring. The chronicle of a battle for the fate of humankind that possesses little humanity of its own, 'Oblivion' is an overstuffed compendium of familiar genre tropes rendered with ornamental beauty but not much emotional depth.

'Elysium' Interview: Neill Blomkamp's Team on Creating a New Sci-Fi World

by Todd Gilchrist April 10, 2013 @ 6:00 PM
Although 'District 9' highlighted a world that most audiences had never seen – the sociocultural divide in South Africa, writ large as a genre parable -- Neill Blomkamp’s debut film offered them something that was possibly even more unique, and significant: It felt like the first science-fiction movie in a long time that was completely original.
Duncan Jones and Gareth Edwards’ projects, 'Moon' and 'Monsters,' respectively, came soon therafter, but the trio reminded the world – not to mention Hollywood’s money-counters – that it was possible to tell stories that didn’t come from an already-popular book series, toy line or canceled television show. And now, with 'Elysium,' Blomkamp faces the pressure of following through on that promise: working with Matt Damon and Jodie Foster on a big-budget adventure financed by Sony, the filmmaker must demonstrate that his first film was not a fluke, but the future of genre filmmaking.