Horror

‘Jaws’ Is Coming Back to Theaters For Its 40th Anniversary

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by Matt Singer a day ago
Universal
On June 20, 1975 a movie about an angry fish opened in about 500 theaters around the country. It was called Jaws, it was directed a guy named Steven Spielberg, it was scary as hell, and it changed the world forever. Its unique release strategy (wide instead of limited), intense television marketing campaign, and record-breaking box office essentially created the summer movie season (and made Spielberg a household name). 40 years later, regardless of its impact, Jaws remains a masterpiece, and a much better and more interesting movie than the vast majority of so-called summer blockbusters that it birthed.

Stephen King’s ‘It’ Reportedly Moves Back to Warner Bros., Will Replace Director Cary Fukunaga

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by Britt Hayes 2 days ago
Warner Bros.
The other day we learned that Cary Fukunaga had departed the two-part big screen adaptation of Stephen King’s It, following a move from Warner Bros. to New Line. The reason given for his departure was the standard “creative differences” along with reported budget cuts. The latest rumor about the film is definitely interesting: It has moved back over to Warner Bros., which is currently seeking a new director to move ahead with the project.

‘Fear The Walking Dead’ Reveals New BTS Images and First Real Footage

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by Kevin Fitzpatrick 2 days ago
AMC
AMC’s Fear The Walking Dead spinoff “companion series” has kept a pretty low profile since the debut of its first teaser, but like the zombie apocalypse, the undead are slowly starting to creep out. A new round of BTS photos offer a look at our stars watching the outset of society’s crumble, while a new AMC promo offers our first real footage.

Cary Fukunaga Exits Stephen King’s ‘It’ Adaptation

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by Britt Hayes 4 days ago
Warner Bros. Television
With production set to begin this summer, Cary Fukunaga has exited the director’s chair on the major two-film adaptation of Stephen King’s classic horror novel It. While it’s definitely disappointing news, it’s not entirely surprising given that Fukunaga recently signed on to direct another film and he’s got a TNT miniseries in the pipeline.

Showtime’s ‘Twin Peaks’ Revival Expanded to 18 Episodes?

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by Kevin Fitzpatrick 4 days ago
ABC
Twin Peaks fans breathed a collective sigh of relief at news that Showtime had re-secured creator David Lynch for the 2016 revival, potentially even expanding the nine-episode order. Now, returning cast members claim that Showtime’s Twin Peaks return has grown to a whopping 18 episodes, and recreated one of its most famous locales to do it.

‘American Horror Story: Hotel’ to Murder ‘New Girl’ Star Max Greenfield

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by Kevin Fitzpatrick 4 days ago
FOX
American Horror Story star Sarah Paulson recently cast doubt over everything we thought we knew of Season 5's Hotel stay, and the latest casting may yet have confirmed that. New Girl star Max Greenfield will bring some fresh blood to FX’s Horror Story franchise, but likely won’t keep it pumping for very long.

‘World War Z 2’ Will Devour Your Brains on June 9, 2017

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by Jacob Hall 7 days ago
Paramount
For those interested in film industry inside baseball, World War Z was genuinely fascinating. The production was plagued with one disaster after another, Brad Pitt clashed with director Marc Forster, and the final 40 minutes of the film were completely scrapped, rewritten from scratch, and reshot. And yet the finished film was pretty good and a big financial success. In fact, it’s the highest grossing film of Pitt’s career so far, so it shouldn’t come as a surprise that he’s back for the sequel, which has officially landed a release date.

‘Poltergeist’ Review: A Decent Remake Haunted By the Spirit of the Original

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by Matt Singer 7 days ago
20th Century Fox
Everything that goes wrong in Poltergeist stems from an act of desecration; the building of a cookie-cutter housing development on top of an old cemetery. Some might find the sheer act of attempting a remake of Poltergeist similarly disrespectful; the 1982 original is something of a masterpiece of suburban terror. But if viewers can look past the sheer audacity of attempting another Poltergeist, they’ll find a solid modernization, the cinematic equivalent of a decent cover version of a great rock song. It’s totally superfluous, and not nearly as satisfying as the original, but well-performed and effective in its own way. It’s nice (or, in this case, deeply unsettling) to revisit an old classic in a new arrangement.