Ahead, Schwartzman also talks about working with Tim Burton in the upcoming film ‘Big Eyes’ – a director Schwartzman’s admired since childhood – and explains what it’s like being related to Nicolas Cage.
Interviews - Page 4
'The Legend of Korra' said goodbye to fans at New York Comic-Con 2014 with a final panel and screening of Book 4's second installment "Korra Alone," filling in the gaps of Korra's heartbreaking three-year struggle after Book 3 finale "Venom of the Red Lotus." We had a chance to speak to series creators Bryan Konietzko and Michael Dante DiMartino just before the panel to discuss everything from bringing Korra's journey full circle, to lingering Book 3 questions, and the franchise future.
Coinciding with New York Comic Con, Pixar is promoting its new short film, ‘Lava,’ that will play before the theatrical release of ‘Inside Out’ next June. ‘Lava,’ directed by James Ford Murphy, is the story of a lonely volcano who sings – in a style inspired by Israel Kamakawiwo'ole’s version of ‘Somewhere Over the Rainbow’ – in an attempt to find his one true love. It’s a sweet story that will garner attention as all the Pixar shorts seem to do – and can serve as a springboard for feature length animated films. How does one get an animated short approved by Pixar? Here, ‘Lava’ director James Ford Murphy explains the process, which started on a napkin.
It’s hard not to root for a guy like Dean Norris. After years of being a character actor in everything from ‘Terminator 2’ to ‘Police Academy 6: City Under Siege,’ everything changed after Norris was cast as an Albuquerque DEA agent named Hank...
Michael Krivicka, James Percelay and Sam Pezzullo are hiding out in the back room of a wine shop they converted into a psychic parlor with the rest of their team. The windows are covered, the entire space has been cleared out, and their eyes are glued to the monitors. They have to maintain absolute silence so as to not tip off their next victim, who's coming in to get a free psychic reading, unaware of what horrors await.
Luke Evans looks good in a cape. And I get the impression that Luke Evans knows that he looks good in a cape, though, the trick is, as he says, a good wind machine. This is now life for Evans, an admittedly private actor who is starring in what seems to be just about everything these days. I asked Evans if he can walk down the street without being mobbed, to which he responded that, outside of a stray fan every few blocks or so, he can still walk around in general obscurity. Soon after this interview, I left Evans’ hotel and was greeted by an almost block-wide spread depicting Evans as Dracula ... you know, those mobs might be coming sooner rather than later.
You might not be familiar with the name Chris Nash, the Canadian director behind the final segment in 'ABCs of Death 2,' the twisted sequel to last year's horror anthology. That segment sends the sequel out on a high note, with a wonderfully grotesque and cringe-inducing bit of body horror. Prior to his involvement in the sequel, Nash directed the "Skinfections" trilogy of short films and competed in the 26th director competition to be featured in the first 'ABCs of Death' film. We had a chance to sit down with him and discuss his fantastic short for the sequel, the reactions to it, and his plans for a feature.
'Open Windows' is director Nacho Vigalondo's most ambitious film to date. Starring Elijah Wood and Sasha Grey, the film examines our obsession with celebrity culture, and what happens when harmless obsession slides into violent entitlement. We had a chance to sit down with Vigalondo, Wood and Grey to discuss the thriller, which is told pretty much entirely through computer screens, webcams and security cameras. What follows is a fascinating interview about celebrity, internet personas, and why Vigalando doesn't like it when movies try to be important.
It was interesting that when Jason Reitman and I discussed the recent merits of Adam Sandler – who stars in Reitman’s new film, ‘Men, Women & Children’ – Reitman turned the tables back on himself, mentioning the box office failure of ‘Labor Day.’ And, surprisingly, openly talking about the failures of ‘Labor Day.’ Reitman’s point is that even if it looks like Sandler might not care about a movie like, say, ‘Jack & Jill,’ Sandler still desperately cares about that movie. Because, as Reitman points out, people picked on ‘Labor Day,’ but that doesn’t mean Reitman wasn’t trying to make his best movie. Sure, that didn’t happen, but you don’t know until it’s made.
Scott Frank, the director of ‘A Walk Among the Tombstones,’ wants you to know that, even though his movie stars Liam Neeson, this is not, as he puts it, ‘Taken 4.’ (Technically, ‘Taken 3’ hasn’t been released yet, but it’s probably safe if we skip ahead. The point is still taken.) And he’s right – a mystery set in 1999 against the backdrop of Y2K (of all things), ‘A Walk Among the Tombstones’ has a slower, brooding, almost noir feel to it that is not at all anything like, say, ‘Non-Stop.’ Yes, I can see why Frank wants to get the word out.