Interviews - Page 5

‘Pee-wee’s Big Holiday’ Stars Paul Reubens and Joe Manganiello on Their Delightful Bromance

by Britt Hayes March 22, 2016 @ 7:40 AM
In this age of delayed sequels, Paul Reubens has achieved something almost miraculous with Pee-wee’s Big Holiday, delivering a film that is just as joyful, hilarious and wonderfully weird as you hoped. 31 years after Pee-wee's Big Adventure, Reubens has returned to his iconic and enduring character for a new Netflix movie in which Pee-wee Herman is inspired by Magic Mike star Joe Manganiello to take his first-ever vacation. We had a chance to speak with Reubens and Manganiello following the world premiere at SXSW, where the two discussed their bromance and whether or not Pee-wee's Big Holiday is a prequel.

‘Krisha’ Director Trey Edward Shults on His Personal Family Drama and Being Terrence Malick’s Intern

by Erin Whitney March 18, 2016 @ 3:02 PM
There’s no doubt about it – Trey Edward Shults’ feature film debut ‘Krisha’ is intense as hell. It’s a family drama about addiction and alcoholism that’s far from easy to digest, yet one with little resemblance to films about similar topics. From the aggressive, yet exhilarating ‘Trainspotting’ to the utterly traumatizing ‘Requiem for a Dream,’ many films about addicts rely on graphic depictions of substance abuse to portray how low one can fall. As important as such stories can be, sometimes smaller personal traumas resonate the loudest.

‘Phantasm’ Director Don Coscarelli on How J.J. Abrams and Bad Robot Restored His Horror Classic

by Britt Hayes March 17, 2016 @ 1:05 PM
Bad Robot
Among the more surprising developments in recent months was the seemingly-out-of-nowhere announcement that J.J. Abrams and Bad Robot teamed up with genre director Don Coscarelli to restore Phantasm. The cult classic received a full 4k makeover, enhancing both sight and sound to restore the wonderfully weird and creepy horror-fantasy to something even better than its former glory. The remastered Phantasm debuted at SXSW, allowing fans both old and new to rediscover and experience Coscarelli’s cinematic fever dream.

‘10 Cloverfield Lane’ Director Dan Trachtenberg on Easter Eggs and a Third ‘Cloverfield’ Movie

by Erin Whitney March 10, 2016 @ 8:22 PM
You probably haven’t heard of ‘Dan Trachtenberg’ unless you’ve seen his sci-fi short, ‘Portal: No Escape,’ or followed news about him directing the mysterious Bad Robot project ‘Valencia.’ As we all learned two months ago, ‘Valencia’ was actually the codename for ‘10 Cloverfield Lane,’ a secret film related to the 2008 monster movie’ Cloverfield.’

Mary Elizabeth Winstead on ‘10 Cloverfield Lane’ Secrets and Being Terrorized By John Goodman

by Erin Whitney March 9, 2016 @ 3:43 PM
How big of a secret was the J.J. Abrams produced ‘10 Cloverfield Lane’? So big that star Mary Elizabeth Winstead didn’t even know the movie’s title until an hour before the rest of world did. Up until the trailer for the movie surprised audiences in front of Michael Bay’s ‘13 Hours’ two months ago, no one outside of the cast and crew knew the upcoming thriller was related to 2008's ‘Cloverfield.’

Jeff Nichols Explains Why He Backed Out of Directing ‘Aquaman’

by Mike Sampson March 7, 2016 @ 11:10 AM
Warner Bros.
One of the many intriguing aspects of the Sony e-mail leak was the news that Warner Bros. was in talks with Jeff Nichols (the upcoming Midnight Special) to direct the Aquaman spinoff. We know now, over a year later, that Warner Bros. eventually hired James Wan to direct Aquaman, but I caught up with Nichols today to get the full story on what happened to his version of the film, and why he eventually decided to walk away.

Emmanuel Lubezki on ‘The Revenant,’ ‘Knight of Cups’ and the Importance of Breaking Rules

by Erin Whitney March 4, 2016 @ 11:38 AM
20th Century Fox
Emmanuel Lubezki just won his third Academy Award, marking a three-year-in-a-row streak for the Mexican cinematographer. Like ‘Birdman’ last year, Lubezki’s second collaboration with Alejandro Iñarritu, ‘The Revenant,’ won big at the 2016 Oscars, certifying him one of the most celebrated cinematographers of our time.

How Disney Turned a Cute, Talking Animal Movie Into an Commentary on Race Relations

by Mike Sampson March 2, 2016 @ 2:58 PM
Walt Disney Animation
As the story goes, corrupt government officials intentionally introduced a dangerous drug into marginalized minority communities resulting in increased power for politicians and law enforcement through the manipulated fear of the middle class. This narrative has been the subject of a number of popular conspiracy theories over the years concerning the CIA’s alleged involvement in the crack cocaine epidemic among the African American community in the mid-80s. It’s also the plot of the 55th Disney animated movie starring a group of cute, talking animals.

Alden Ehrenreich on Bad Southern Accents, Good Rope Tricks, and the Coen Brothers’ ‘Hail, Caesar!’

by Matt Singer February 5, 2016 @ 8:05 AM
Alberto E. Rodriguez, Getty Images
In Hail, Caesar!, the new comedy from Joel and Ethan Coen, Alden Ehrenreich accomplishes a seemingly impossible task: He steals a movie from a cast that includes Josh Brolin, George Clooney, Scarlett Johansson, Ralph Fiennes, Frances McDormand, Jonah Hill, Channing Tatum, and two Tilda Swintons. (She plays twins.) Amidst that incredible array of talent, it’s Ehrenreich who emerges as the film’s breakout star, and shares (with Fiennes) its funniest scene, in which a Hollywood director (Fiennes) desperately tries to coax a believable Mid-Atlantic accent out of Ehrenreich’s dopey cowboy, Hobie Doyle. This extended riff, which was already heavily featured in the Hail, Caesar! trailer, is an instant classic from the Coen brothers, and will almost certainly go down in history as one of the best scenes of their entire career.

Josh Brolin on ‘Hail, Caesar!’ and Marvel’s Modern Studio System

by Matt Singer February 4, 2016 @ 9:02 AM
Brolin reunited with the Coens for their remake of True Grit, and now they’re back together again for Hail, Caesar! a hilarious comedy about 1950s Hollywood. Brolin plays Eddie Mannix, an executive at Capitol Pictures, a major studio with several major problems that need fixing. Chief among them: Capitol’s biggest star, Baird Whitlock (George Clooney) has been kidnapped, and a mysterious group known as “The Future” wants $100,000 for his safe return.