Gareth Edwards is exhausted. As 'Godzilla' prepares to open in theaters this week, it marks the end of a four-year journey for the British director. After getting some insight into his production schedule and doing a little math, we calculated that Edwards worked over 13,500 hours making 'Godzilla'. If you worked a normal 40-hour work week, that's over six years of work, and Edwards did that in just two years of filming and post-production. It's an interesting shift for a director who got his start in the business by winning a film challenge where a movie had to be created, start-to-finish, in just two days.
Go Gareth Edwards is tired, but, as he notes, he's certainly not complaining ("The sound of someone complaining about directing 'Godzilla'...that's a guy you want to punch in the face."). The good news for Edwards is, the work has paid off, with this trilling new 'Godzilla' movie. We caught up with Edwards recently in New York City to talk about his lack of sleep, what specific sounds made up Godzilla's new roar and the many easter eggs he has hidden throughout the movie.
Not only did Simon Kinberg write and produce the upcoming superhero spectacular, 'X-Men: Days of Future Past' and its sequel 'X-Men: Apocalypse' and 2015's 'Fantastic Four' reboot -- he's also the creator and executive producer of 'Star Wars Rebels,' a new animated series that takes place between the events of 'Revenge of the Sith' and 'A New Hope.' (Kinberg is also involved in the development of the yet-to-be-announced 'Star Wars' live action movies.)
Kinberg is currently promoting the aforementioned 'Days of Future Past,' but the subject of 'Rebels' did come up (okay, yes, because I asked about it) and Kinberg explains what it's like to write for characters who appeared in the original trilogy (it's rumored Lando Calrissian plays at least a small role) and threading the needle between the people who love the Original Trilogy and the people who love the prequels.
Last week's FX 'Fargo' installment, "Eating the Blame," proved special in a number of regards, not only establishing a direct link between the 1996 Coen brothers Oscar winner and FX's own adaptation, but also for putting Adam Goldberg and Russell Harvard's enigmatic mob men, "Mr. Numbers" and "Mr. Wrench," directly in Lester's (Martin Freeman's) path.
We had the chance to chat with Goldberg recently, wherein the 'Fargo' star revealed the difficult nature of shooting, 'Fargo''s movie tie-in and season 2 potential.
Last summer, ‘Saturday Night Live’ hired five new cast members to replace the large shoes left by the departures of veterans Bill Hader, Jason Sudeikis and Fred Armisen – plus Tim Robinson, whose quirky style was, after just one season, reassigned to the writing staff. Those five new hires were Beck Bennett, Noël Wells, Brooks Wheelan, Kyle Mooney and John Milhiser. In January, the show added Sasheer Zamata. Then, in February, after the departure of 'SNL's' most tenured cast member, Seth Meyers, co-head writer Colin Jost joined the cast.
So, in a season filled with new faces – and a now whopping 17 cast members – competing for that ever-precious airtime, it’s notable that the new cast member who, at the very least, has had the most artistic impact on the show – and is certainly the boldest cast member this season – was introduced to the world by a nearly asterisked “promoted from the writing staff” designation...a 37-year-old actor/writer/comedian who used to go by the name Pat O’Brien.
Now that screenwriter and producer Simon Kinberg's (a name you will be hearing a lot more of in the future) duties are complete with the upcoming 'X-Men: Days of Future Past,' his attention now drifts to yet another group of superheroes, and this time it's the 'Fantastic Four.'
'Neighbors' is a hilarious movie. Let's start there. It's the day after the film's raucous premiere at SXSW and it's clear that the Seth Rogen/Zac Efron comedy has the potential to become the sleeper hit of the summer. Given the film's college theme, we caught up with stars Seth Rogen and Dave Franco to talk about the film over what some might consider the greatest college drinking game of all-time, beer pong. It's Team ScreenCrush vs. Team 'Neighbors' in an epic, beer-soaked (literally) battle!
I met Gregg on Tuesday afternoon at a restaurant in the West Village to discuss his new film that he both wrote and directed, 'Trust Me' (a story about a sleazy child star agent, played by Gregg, which you can watch On Demand right now and will be in theaters on June 2). The full interview will publish closer to the theatrical release of the film, but with 'Marvel's Agents of S.H.I.E.L.D.' ending its season next Tuesday -- with guest star Samuel L. Jackson -- Gregg teases what we might see in the finale and hints at the implications it will have for the Marvel cinematic universe. And we won't officially learn if the show is returning until next week's upfronts, but Gregg says he'd be surprised if Coulson's team isn't back for another season.
While the films of Sofia Coppola often examine the world of young wealth -- see 'The Bling Ring' and 'Marie Antoinette' -- her niece, Gia, approaches coming of age from a different angle: the grittier, if you will, emotional lives teens lead while growing up in rural Palo Alto.
"I had just finished college and was kind of reminiscing on those years of high school," she told ScreenCrush in an interview. "I had enough distance where I could kind of look at it nostalgically," and it was the realistic experiences in James Franco's collection of short stories, titled 'Palo Alto,' she wanted to bring to the screen for her first directorial effort.
First thing, if you haven't yet seen 'The Amazing Spider-Man 2,' you should not be reading this article as it contains major spoilers for the ending of the film.
Okay, now that that business is out of the way ... director Marc Webb has been hinting for some time that the events in his film could eventually emulate what occurred in the pages of 'The Amazing Spider-Man' #121, which (last chance) depicts the death of Peter Parker's love interest, Gwen Stacy -- who is played by Emma Stone in the two most recent Spider-Man films.
Now that you've seen 'The Amazing Spider-Man 2,' we asked director Marc Webb about everything that went into the final shot of Gwen falling off the clock tower, including when it was decided to kill off Gwen (early); if there were any second thoughts; why the original scene had to be re-shot; and why 'The Amazing Spider-Man 2' ended on an upbeat note, as opposed to leaving us with a dark ending.
A few days ago, I was offered an interview with Gillian Jacobs -- who is promoting her new film, the Elizabeth Banks comedy, 'Walk of Shame.' "Sure," I said, because I've always enjoyed Jacobs' work on 'Community.' Then I asked, When can I see the movie?” At that time, there weren’t any screenings scheduled, and unfortunately, there wasn't enough time to set up a new one, so I went into this interview not knowing much more than what was available in the trailer. So, not much, unfortunately.
I debated between faking my way though, or just being honest. I went with the honest approach. So, we tried our best -- but, in reality, we were just two strangers on the phone with not that much to talk about. Sure, we tried to engage in small talk -- we really did -- the weather was even brought up at one point, which is not the best sign that you're doing a good job at keeping another person's attention. I brought up 'Community,' in passing. And, you know what, there were were a couple of interesting moments -- we even shared a couple of laughs! Then, we said our goodbyes, hung up the phone, and went on with our lives. A life, in which for me, still exists without seeing 'Walk of Shame.' Someday, I will see 'Walk of Shame' and someday all of this will make sense.
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