You might not be familiar with the name Chris Nash, the Canadian director behind the final segment in 'ABCs of Death 2,' the twisted sequel to last year's horror anthology. That segment sends the sequel out on a high note, with a wonderfully grotesque and cringe-inducing bit of body horror. Prior to his involvement in the sequel, Nash directed the "Skinfections" trilogy of short films and competed in the 26th director competition to be featured in the first 'ABCs of Death' film. We had a chance to sit down with him and discuss his fantastic short for the sequel, the reactions to it, and his plans for a feature.
Interviews - Page 7
'Open Windows' is director Nacho Vigalondo's most ambitious film to date. Starring Elijah Wood and Sasha Grey, the film examines our obsession with celebrity culture, and what happens when harmless obsession slides into violent entitlement. We had a chance to sit down with Vigalondo, Wood and Grey to discuss the thriller, which is told pretty much entirely through computer screens, webcams and security cameras. What follows is a fascinating interview about celebrity, internet personas, and why Vigalando doesn't like it when movies try to be important.
It was interesting that when Jason Reitman and I discussed the recent merits of Adam Sandler – who stars in Reitman’s new film, ‘Men, Women & Children’ – Reitman turned the tables back on himself, mentioning the box office failure of ‘Labor Day.’ And, surprisingly, openly talking about the failures of ‘Labor Day.’ Reitman’s point is that even if it looks like Sandler might not care about a movie like, say, ‘Jack & Jill,’ Sandler still desperately cares about that movie. Because, as Reitman points out, people picked on ‘Labor Day,’ but that doesn’t mean Reitman wasn’t trying to make his best movie. Sure, that didn’t happen, but you don’t know until it’s made.
Scott Frank, the director of ‘A Walk Among the Tombstones,’ wants you to know that, even though his movie stars Liam Neeson, this is not, as he puts it, ‘Taken 4.’ (Technically, ‘Taken 3’ hasn’t been released yet, but it’s probably safe if we skip ahead. The point is still taken.) And he’s right – a mystery set in 1999 against the backdrop of Y2K (of all things), ‘A Walk Among the Tombstones’ has a slower, brooding, almost noir feel to it that is not at all anything like, say, ‘Non-Stop.’ Yes, I can see why Frank wants to get the word out.
What follows isn’t so much an interview with Nick Kroll as it is … well, I’m not sure exactly what it is. Here’s what happened. I was supposed to interview both Kroll and Joel McHale at the same time about their movie at the Toronto International Film Festival, ‘Adult Beginners.’ At our scheduled interview time, McHale wasn’t there. We were told that he was on his way, stuck in traffic, so we waited. Now, knowing that McHale would soon join us, I didn’t want to ask anything too specific about ‘Adult Beginners,’ just to have to repeat the question again once McHale arrived. McHale never did show up...
Josh Charles left 'The Good Wife,' then went on to star in 'Bird People' (which is playing this week at the Toronto International Film Festival) as Gary, an American in Paris who suddenly quits his job after a late night panic attack. Yes, for someone like me, this is a fun parallel narrative. Oh, it's a totally fake narrative -- 'Bird People' was filmed before Charles left 'The Good Wife' -- but it's still fun. And, as even Charles admits, despite it being a completely fake narrative, it's still true. Because here we are.
"Everybody needs to be reminded that I’m a character actor and I’m not just the kind of guy who plays a cop," Vincent D'Onofrio tells ScreenCrush in an interview. The actor is going from his most recognizable role as Det. Robert Goren in 'Law & Order: Criminal Intent' to the directorial debut of Linkin Park member Joe Hahn, 'Mall,' in which he portrays a gentleman caught sneaking a few too many peeks at a woman undressing in a fitting room -- but his depraved character is just one of many lenses through which we view the heavy story at play.
First of all, Antoine Fuqua – who directed ‘The Equalizer’ (which premiered this week at the Toronto International Film Festival) and directed Washington in his Oscar-winning performance in ‘Training Day’ – is the definition of the word “character.” When you enter a hotel room to interview Fuqua, personality is just bouncing off of the walls.
“Do you want to do an interview in bed? It’s never happened. Come on. It’ll be fun.” These are the words Rene Russo said to me when I entered her hotel room to interview her at the Toronto International Film Festival for the movie ‘Nightcrawler’ -- which just happens to be written and directed by her husband, Dan Gilroy, who (A) I had just met and (B) who had just left the room.
“I think it’s harder – as hard as it’s ever been – to get stories like this made,” said writer-director Ira Sachs of ‘Love Is Strange,’ his latest film starring John Lithgow and Alfred Molina as an elderly gay couple living in New York City. “If I...