Avengers: Age of Ultron is the eleventh film in Marvel Studios’ ongoing quest to dominate your disposable income for the rest of your moviegoing life, the biggest, loudest and most expensive chapter yet in what is quickly becoming a triumph of Hollywood marketing and corporate one-upmanship. But it is also, somehow, totally, the work of writer/director Joss Whedon, whose clear voice, honed over decades spent working in film and television, rings through all of the noise. While The Avengers was directed by Whedon, his messier, crazier sequel is truly, at its heart, a Joss Whedon Film.
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ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: Superman returns (but not Superman Returns).
After selecting the best sci-fi movies of the last 25 years and the best comedies of the last 25 years, the only logical way to wrap up our #CountdownToUltron and Avengers 2 here on ScreenCrush was to choose the best superhero movies of the last 25 years as well. Initially, this was just supposed to be a brief essay. But on an innocent field trip to the world’s most advanced genetics lab, this blog post was bitten by a radioactive list and transformed into the gargantuan piece you see before you. On that day, we all learned a valuable lesson: That with great power must come great listicles.
When the Avengers reassemble for their big sequel this weekend, they do it to stop Ultron, an eight-foot-tall robot who wants to destroy the world. He’s the accidental creation of Tony Stark and Bruce Banner, who are trying to create an artificial intelligence capable of protecting the planet from threats too big for even the Avengers to handle. Their experiment is a horrific success; Ultron becomes self-aware, gives himself a body made out of spare Iron Man parts, and begins plotting the Earth’s destruction. “You want to protect the world, but you don't want it to change,” he tells the Avengers. “There’s only one path to peace. Your extinction ... when the dust settles, the only thing living in the world will be me!”
In which we give serious consideration to why last night's 'Game of Thrones' hour "High Sparrow" wouldn't show us an older man's exposed genitals. Someone has to do it.
Almost every Hollywood movie ends with a disclaimer from the American Humane Association promising that “no animals were harmed” during its production. The new re-release poster for Roar, a shocking 1981 oddity about a family whose house is overrun...
ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: The Dynamic Duo return, in decidedly less than dynamic fashion.
ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: A dude name Bill who hangs out in the Congo.
He’s called “The Man Without Fear”: Blind New York City attorney Matt Murdock, who secretly lives a double life as Daredevil, the vigilante who protects the brutal streets of Hell’s Kitchen. On Friday, The Man Without Fear comes to Netflix in a brand-new original series that brings Marvel and its hugely successful Cinematic Universe to streaming television. Daredevil is the first of several Marvel shows on Netflix — but it’s not the first Daredevil show on television. In fact, The Man Without Fear made his TV debut over 25 years ago in a forgotten film that was nonetheless a significant moment in Marvel’s transformation from comic-book publisher to one of the most powerful studios in Hollywood.
April Fools’ Day is an occasion marked by silliness. Many websites choose to celebrate by tricking their readers with goofy pranks. But for every one of these hoaxes that’s funny, there are ten more that are terrible (plus our budget would not allow us to turn the site into ScreenFlush, the #1 place on the Internet dedicated to movie toilets, for a single day). So instead, let’s honor some humor professionals; the men and women who’ve made the best comedies of the last 25 years.