It's become increasingly rare for horror films to make an effort to truly scare us these days, but Jennifer Kent's 'The Babadook' gets under the skin in ways that are both visceral and highly emotional. A mediation on a mother's grief and the displacement of that grief onto her son, the film echoes Stephen King's 'The Shining' in many ways, while lead actress Essie Davis gives a chill-inducing performance evocative of vintage Sissy Spacek and Mia Farrow.
Keanu Reeves seriously does not get the credit he deserves. Over the years it seems like he's just been accruing knowledge from project to project, figuring out what works for him and what doesn't, and now he's distilled and perfected something that's almost hard to define. Last year he brought the crazy, crowd-pleasing martial arts flick 'Man of Tai Chi' to the Fantastic Fest film festival, and this year he returns with 'John Wick.' It's a ridiculous action thriller in which Reeves plays a former hitman-type out for revenge because some obnoxious Russian gangster's son steals his cool muscle car and kills the puppy his dead wife sent him as a present -- yeah, really.
This weekend, you now have a choice: You can continue to solve your favorite maze puzzles in the privacy of your own home or you can watch a movie about mazes. No matter how you break it down, this is a very exciting and difficult decision. Hopefully, that decision will become a little easier after we answer every question that you could possibly have about ‘The Maze Runner.’
It’s impossible to separate 'Rosewater' from the personality that is Jon Stewart. On the surface, this statement makes little sense, because many films are deeply culturally intertwined with its director. But 'Rosewater' is a little different, because it’s a person not known for directing -- or even really acting, for that matter. Jon Stewart is famous, but famous for something almost completely unrelated. It would be as if Derek Jeter or Joe Biden directed a movie. The public curiosity with 'Rosewater' is all because of who directed 'Rosewater,' not what 'Rosewater' is about.
‘Foxcatcher’ – directed by ‘Moneyball’ director Bennett Miller – premiered Monday at the Toronto International Film Festival after a highly successful debut at Cannes earlier this year. It’s the true story of the intricate relationship between two brothers and Olympic wrestlers -- Dave Schultz (Mark Ruffalo) and Mark Schultz (Channing Tatum) – with their wrestling team financier and sort of coach, John du Pont (Carell), of the famed and extremely wealthy du Pont family … a relationship that ends in paranoia and disaster.
“If this were a TV show, I’d watch it every single week.” These were the words I spoke right after watching Antoine Fuqua’s theatrical version of ‘The Equalizer,’ which is kind of a dumb thing to say considering that ‘The Equalizer’ was a TV show. Though, this updated version of ‘The Equalizer’ bears little resemblance to the mid-‘80s version, even though it kind of has everything to do with it.
This was my second time watching with ‘Whiplash,’ Damien Chazelle’s film about basically two sociopaths and their terrible relationship. One of these sociopaths (I’m exaggerating a little, but not by much) is played by Miles Teller as an up-and-coming jazz drummer trying to make it at the best school in the country. The other is played by J.K. Simmons, his jazz instructor. Both of these people are assholes. Both of these people hate each other. Both of these people kind of need each other, but in the process, both do awful, awful things to each other. There’s no real reconciliation for these two. ‘Whiplash’ will never have these two characters put apart their differences and form a friendship. The dynamic between these two assholes is just what makes ‘Whiplash’ so incredible to watch.
It’s Labor Day weekend. The good news: You most likely have a three-day weekend ahead of you. The bad news: Movies are terrible. Anyway, there a new movie called ‘As Above/ So Below’ that comes out this weekend. You might be tempted to see it because it’s new. New isn’t always better. Sometimes it is! But not this time. As a service to no one, really, because you are already enjoying your long weekend, we answer every question that you could possibly have about ‘As Above/ So Below.’
Nine years after the original ‘Sin City,’ a sequel that no one has recently asked for will be in your local movie theater come Friday. The name of this sequel is ‘Sin City: A Dame to Kill For,’ which consists of four intertwining stories set against a stylized backdrop and, hey, it’s August … what are you really looking for right now, anyway? As a service to you, we answer every question that you could possibly have about ‘Sin City: A Dame to Kill For.’
While Stallone may be perfectly comfortable selling himself out, his accomplices on this latest jokey saga seem to have tackled their ludicrous material with varying degrees of seriousness – and as this ranked rundown details, also with varying degrees of embarrassment. Ahead, of the established stars, we rank from least to most who we feel the most embarrassed for that he (all hes!) is in 'The Expendables 3.'