'Godzilla,' the 2014 version from relative newcomer Gareth Edwards, is just about as good as a big fat summer tentpole movie gets these days. It's fun, scary and awe-inspiring in just the right places. Some of the acting is dull and the dialogue isn't exactly dripping with nuance, but these concerns are secondary. The set pieces are marvelous, the special effects are terrific and great care has gone into keeping the visual storytelling fresh.
You want a poster quote, cause here it comes: this 'Godzilla' is a monster!
It's hell getting old. You're overworked, underpaid, get grey hairs, everything hurts, there's barely time for sex, you fall asleep on the couch watching 'Game of Thrones' and, unless you're George Clooney, you're just not cool anymore. You either hike up your pants and accept it, or you wage all out war. It's the latter that highlights the uproarious Seth Rogen and Zac Efron comedy 'Neighbors,' which just might be the funniest American movie since ... well, since Seth Rogen's last movie.
There are some movies that feel personal because of the relationship the writer, director or actors have to the material. 'Chef' -- written, directed and starring Jon Favreau -- doesn't just feel personal, it feels like it's ripped directly from the pages of Favreau's subconscious diary. While it's a charming enough indie film about the connection between professional and personal passions that also serves as a fascinating look inside the psychology of a major Hollywood director.
Most of what I know about complex science comes from comic books, so forgive me if my understanding of quantum mechanics is a little off. But, I think it can mean that particles can exist in two states simultaneously. 'The Amazing Spider-Man 2,' a film loaded with such half-understood notions of difficult scientific concepts, is a quantum movie. It manages to be both awful and entertaining, frequently at the same exact time. The script is ludicrous, even by summer blockbuster standards. The characters behave irrationally and without motivation and the story makes lengthy, frequent pit stops into dull backstory. But, for every moment of tedium and confusion there is a tiny explosion of joy. Director Marc Webb just barely ties this collision of half-baked ideas together in a sticky Spidey bow.
It all starts out with such promise. Steven Brill’s latest comedy, ‘Walk of Shame,’ introduces us to Meghan Miles (Elizabeth Banks), polished television news anchor, by way of a series of dramatized versions of famous newscast flubs that highlight exactly what Meghan is not – she’s not unprepared, she’s not unprofessional, and she’s not without some serious skills.
Today, a movie that, on the surface, resembles a rom-com, but isn’t a rom-com (there are no rom-coms any longer) titled ‘The Other Woman’ is playing at the multiplex down the street from you right now. Cameron Diaz (‘Shrek 2’) stars as Carly, a single, independent woman living in New York City who is dating Mark (Nikolaj Coster-Waldau) – but Mark has a secret! Is Mark cheating on Carly? Is Mark secretly the Kingslayer? As a service to you, we answer every question that you could possibly have about ‘The Other Woman’?
Yes, it’s a little odd that another LEGO movie is coming out so quickly after the release of, well, ‘The LEGO Movie’ – that also features an animated LEGO mini-fig voiced by a well-known celebrity. In this case, it’s Jason Bateman (as opposed to Chris Pratt) and this is a documentary (or, as they are calling it, a “brickumentary”), not a narrative feature.
‘Beyond the Brick: A LEGO Brickumentary’ (which premiered this week at the Tribeca Film Festival) is a sort of companion piece, as opposed to direct competitor, to the aforementioned ‘The LEGO Movie’ – especially considering that ‘The LEGO Movie’ is mentioned quite a few times over the course of this film and we even see the shooting of a particular scene. (Funny, if you don’t want to be spoiled on how ‘The LEGO Movie’ ends, you probably should avoid ‘Beyond the Brick.’) Also, it’s endlessly fascinating.
'A Haunted House 2' did not screen early for critics. On Thursday, I received an email from my editor suggesting that I pay to see 'A Haunted House 2' at a movie theater on Friday morning. I tried using the "but I haven’t seen the first ‘Haunted House'" excuse, but that seemed to have little to no impact on this request. Who knows? Maybe it’s hilarious? On Friday morning, I purchased a ticked for the 10:45 a.m. screening of 'A Haunted House 2.' While watching, I kept a running diary of the events that transpired. It was a fairly miserable experience. Here’s how all that went:
"Nature, red in tooth and claw." - Alfred, Lord Tennyson
"It's like a freakin' Country Bear Jambaroo around here!" - Homer J. Simpson
Disneynature, the French production arm that's probably something of a tax write-off for the gigundo Walt Disney Corporation, is back with another top-shelf family-friendly naturalist film. 'Bears' is their fifth Earth Day-timed title released to theaters (two others went straight to DVD) and it yet again affords us 80 minutes of sitting in a theater muttering "how the hell did they get that shot?"
When I was a young man and the Internet was new, I made the same joke every time I dialed-up and heard those dissonant, scratchy tones. “Chhhhhhh-CHHHHHH-Chhhhhh” my modem would bray, and as soon as there was silence I'd turn to whomever was in the room and conspiratorially say, "all right, we're in."
'Transcendence,' the first feature film directed by Christopher Nolan's longtime cinematographer Wally Pfister, is two straight hours of that “all right, we're in,” with (slightly) updated peripherals. Featuring more technobabble than a middling episode of 'Star Trek: Voyager,' Rebecca Hall and Johnny Depp star as husband and wife computer geniuses who, along with artificial intelligence labs across the country, are attacked by a band of “neo-Luddite” terrorists.
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