The road signs in Hell or High Water kept catching my eye. They’re like a Greek chorus, commenting on the action in the foreground of the film. During the opening sequence, the robbery of a small Texas bank, the camera pans across the front of a Goodyear Tire Shop, essentially mocking the two brothers carrying out the robbery. (Their mother has just died and they’ve turned to crime to make ends meet.) A few moments later they drive past a “Closing Down” billboard, and there are also signs advertising “Debt Relief,” “Pass With Care,” and “Fast Cash,” all tempting (or perhaps taunting) these two men as they engineer a crime wave in West Texas.
Movie Reviews - Page 5
Sausage Party is the first ever R-rated CG-animated film. Based on a concept Seth Rogen, Jonah Hill and Evan Goldberg first came up with 8 years ago, the film, by definition, is something you have never seen before. It’s raunchy, rowdy and completely insane. Unfortunately, it’s just not very funny.
How was the Joker? Is Ben Affleck’s Batman a welcome addition? What about the other surprise DC cameo? Does Amanda Waller’s plan make any sense at all? Who the heck is Slipknot? How does Harley Quinn fit into the rest of the Suicide Squad? Why did they introduce Katana so late in the movie? What the hell was going on with the Enchantress? Did they really just rip off Ghostbusters with that ending? All of those topics and more are on the table for our FULL SPOILERS discussion and review of Suicide Squad.
If you liked the scene in Batman v Superman where Bruce Wayne watched YouTube videos about the future members of the Justice League, you'll love Suicide Squad. Instead of just one scene of plot-stopping fan service, Suicide Squad delivers an entire first act of soul-deadening exposition. The movie spends nearly 30 story-free minutes with a Machiavellian bureaucrat while she sits in a restaurant discussing a top secret personnel file. Here is Deadshot, the world’s greatest assassin; this is Harley Quinn, the Joker’s psychotic girlfriend. Oh, and have you heard about Captain Boomerang? And on and on and on.
Disney’s 1977 musical ‘Pete’s Dragon’ was my favorite movie as a kid, one I watched obsessively on VHS. In retrospect, I can now look back on it as an adult and admit it was a pretty awful movie — it was about an orphan whose adoptive family chased him while gleefully singing songs about abusing him. The songs were bad (though my 6-year-old self enjoyed them), the acting was as campy and mawkish, and the shoddy animation looks laughable today. But as much as the movie was a dated element of its time, it still told an emotionally relatable story that, when handled by Disney, can become timeless. It only makes sense that the studio remade ‘Pete’s Dragon,’ keeping that same sentiment, but without the hokey songs and with more impressive visual effects.
Jason Bourne has always had one mission: to find out who he is. It’s a mystery that made him one of the most enthralling action movie characters. He didn’t have the suave, ostentatiousness of James Bond, nor did he rely on teamwork or gadgets like Ethan Hunt; he was quick, efficient and acted on intuition and impulse alone, and all without having a clue what his real name was. He was a human killing machine who wouldn’t stop until he uncovered the truth, and by the end of Paul Greengrass’ 2007 ‘The Bourne Ultimatum’, Matt Damon’s spy finally got answers. But nearly 10 years later, Bourne still has questions.
Full disclosure: I’m afraid of the dark. As soon as I walk into a darkened room I rush to the nearest light switch. I’ll use my phone’s flashlight to guide the way if the switch is far, and sometimes I’ll leave all the lights if I’m home alone. Your eyes play tricks on you in the dark – What was that? Oh, just the cat. Wait, I don’t have a cat! There’s security and comfort in being able to see your surroundings, which makes the premise of David Sandberg‘s ‘Lights Out’ even more terrifying.
It’s been a while since the crew of the Starship Enterprise visited a strange new world in search of new life and civilizations. The Star Trek of television was full of strange new worlds; the Enterprise seemed to discover one every single week. The Trek movies, so focused on special effects, violence, and intricate revenge plots, have frequently strayed from Trek’s original mission. And while there’s plenty of action and excitement in Star Trek Beyond, there’s also a clear attempt to return this series to its core principles: Exploration, diplomacy, teamwork, and the hope for a better tomorrow. After the missteps of the punishingly bleak and the unfortunately rehashy Star Trek Into Darkness, it’s a necessary and welcome course correction; a Star Trek back into the light.
We published our spoiler-free review of Ghostbusters earlier this week, but there’s only so much you can discuss without touching on the fine points. Now that Ghostbusters is out in theaters everywhere, it’s time to go deeper, with ScreenCrush’s SPOILER-filled discussion of Paul Feig’s new reboot.
Bryan Cranston is back at it with the drug business in ‘The Infiltrator,’ but this time he’s breaking good.