Star Wars is great, everyone’s pretty much on the same page about that one, but the problem is that it’s just so dang long. Eight movies, with more on the way? And they’re all two-plus hours? And there are TV shows?! It would take a viewer days if not weeks to wade through all of that action, and so the minds at Lucasfilm and Disney have done us all the service of condensing Star Wars into segments a little closer to bite-size. In the future, everyone will be world famous for 15 minutes; likewise, in the future, new Star Wars content will be between two and three minutes long.
Trailers - Page 3
Dito Montiel needs a win right now. The noted indie writer/director was the object of some ridicule (from me) when it came out that his latest feature, the Shia LaBeouf-led war picture Man Down, attracted exactly three viewers in all of Britain. The movie didn’t fare so well stateside either, and Montiel’s previous effort Boulevard got lost in the shuffle when star Robin Williams abruptly died prior to release. Montiel’s coming returning in grand fashion this month with a premiere at the Tribeca Film Festival for his latest film The Clapper, an adaptation of the novel he wrote in 2007 titled Eddie Krumble Is the Clapper. And with a new clip surfacing online today, we can make our own judgement on whether Montiel has cause for hope or if he should hedge some of those bets.
The sound of metal grinding against metal. The proud yelp of Mark Wahlberg’s serious-actor concerned voice. (“We’re not givin’ up on Prime, okay?!“) The rippling waves of incoherent computer-generated imagery glinting in the post-apocalyptic sun. It can all only mean one thing: there‘s a new trailer for the latest chapter in Michael Bay’s ongoing giant-fighting-alien-robot opera Transformers. Allow me to quickly assuage any concerns by confirming that yes, a whole bunch of crap blows up real big, yes, a huge CGI thing crashes into another CGI thing, and yes, Megan Fox is no longer with us. But let’s dig in anyway, shall we?
The violence and chaos of the Detroit riots in the summer of 1967 began early on Sunday, July 23 when the police raided a local bar. It incited five long days of police brutality that ended in 43 deaths. But there was one infamous and tragic episode during those five days that left three black teenagers dead.
Here’s a little bit of free relationship advice for you: find someone who loves you like David Duchovny and Gillian Anderson love playing Mulder and Scully. It’s been more than two decades — two decades! — since both actors debuted their iconic characters on Fox’s The X-Files, and even after nine seasons, a movie, another movie, and a sorta-miniseries, neither one shows any signs of slowing down. In an era where audiences seem to demand that actors love their characters as much as we do, there’s something refreshing about two performers who come by such affection naturally. Anderson in particular is a powerhouse star of stage and screen, but get her talking about Dana Scully and she’s just as passionate as any of us.
It must be nice to be Luc Besson. The French filmmaker has been pretty successful by whipping together a half-baked story idea and giving someone else a little bit of money to turn it into a movie. Sometimes, these result in delightfully goofy pieces of pulp; lawsuit or no, I dare anyone to deny that Lockout is anything other than the perfect blend of camp and B-grade action. More often, though, Besson’s efforts are the cinematic equivalent of candy corn, something that always sounds good in theory but often makes you sick as you go along.
Well, this looks entirely awesome.
Valued readers of ScreenCrush: I had the good fortune of catching an early screening of Edgar Wright’s new picture Baby Driver just last night, and while I have been sworn to semi-secrecy, I can safely and gladly echo the sentiments of my esteemed colleague Britt and affirm that holy biscuits is it good. It is a damn fine moving picture. I won’t say much more than that, and luckily, I don‘t have to because today brings the arrival of a new trailer for the high-octane crime thriller. Comin’ in hot, wheels skidding in a perfectly narrow drift, the trailer arrives with the hyperkinetic editing and blazing soundtrack cuts that make this movie such an unfettered joy.
In appearances at film festivals or the occasional blockbuster exhibit at the Whitney Museum, documentarian Laura Poitras gives the impression of a pretty collected, cool-headed woman. Which comes as a surprise, seeing as few people on Earth would have more justification for turning into a raving paranoid lunatic. Poitras wowed the world in 2014 with her Edward Snowden documentary Citizenfour, wherein she risked life and limb to gain access to the classified intelligence whistleblower and ran afoul of the United States’ far-reaching surveillance programs in the process. A few years later, and she’s prepared to unveil her latest stunning exposé on the shady business of federal watching, the lightning rod Risk. If you weren‘t feeling uneasy about the virtual eyeballs monitoring your every move, now would be a fine time to get started.
If you thought the first official photos of Thor: Ragnarok were wild, just wait till you get a taste of the new teaser trailer. The third solo outing for the God of Thunder isn’t just any new Marvel movie, but a distinctly Taika Waititi one. That means it’s going to be a heck of a lot more fun than you’d imagine.