When David Fincher’s Gone Girl became an overnight critical and box office sensation, you just know that everyone involved in Dark Places did a little dance when no one was looking. When they started production on the film adaptation of the Gillian Flynn novel of the same name, they were just making a thriller. Now, they’ve made the second movie based on a book by the woman who wrote Gone Girl. And yes, that book gets name-dropped in the first Dark Places trailer. Because why not ride that wave?
Trailers - Page 4
Now hear this one out: Samuel L. Jackson plays the President of the United States, whose plan crash-lands in Finland, where he’s subsequently hunted by a group of bad guys and teams up with a 13-year-old kid with a bow and arrow to survive. That sounds incredibly ridiculous, but Jackson is great at incredibly ridiculous. Today brings the newest trailer for Big Game, which goes a bit bigger than the first one.
The new Avengers 2 trailer has arrived online early after Marvel tweeted out a call to their fans to tweet using the #AvengersAssemble hashtag. Officially premiering on Thursday with the series premiere of American Crime on ABC and in theaters with Cinderella, you don't have to wait any longer to see the biggest and best Avengers 2 trailer yet.
The first Selfless trailer proposes a question that many science fiction movies have asked in the past. If you could have a second chance at life in a new body, would you take it? From John Frankenheimer’s Seconds to James Cameron’s Avatar, this is well-travelled territory for the genre. But in an age where scientists are actually studying how we can transfer our consciousness into computers (by 2045, no less), this kind of sci-fi plot suddenly seems a whole lot creepier.
At first glance, Ex Machina might be most notable for the pairing of upcoming Star Wars: Episode 7 actors Oscar Issac and Domhnall Gleeson, but it's clear upon watching this new trailer, that the upcoming sci-fi film is much more than that.
While the previous Get Hard trailers could only hint at the jokes that the final, R-rated film would feature, the new red band trailer drops you into a sea of f-bombs, nudity, racial conflict, and seedy bathroom encounters. This movie looks filthy, going above and beyond what we usually expect from stars Will Ferrell and Kevin Hart. Whether you actually laugh at the trailer or not, one thing is certain: this thing is going to be huge.
There’s plenty of stuff to make fun of in the Fast and Furious franchise. I’m just not sure I want Jason Friedberg and Aaron Seltzer, the men behind such toxically unfunny spoofs as Epic Movie, Meet the Spartans, and The Starving Games, telling the jokes. Nonetheless, here comes Superfast!, Friedberg and Seltzer’s lampoon of the seven Fast films starring Vin Diesel, the late Paul Walker, Dwayne Johnson, and an inordinate amount of baby oil. (And, yes, there’s a baby oil joke right in the trailer.)
With the arrival of the first U.S. trailer, we can now add Eva to the list of movies following the recent A.I. trend. Originally released internationally back in 2011 (yeah, wow), Eva stars Daniel Brühl as a cybernetic engineer tasked with giving robots real emotions. Apparently he’s never seen A.I. or Her or I, Robot or…well, you get the point. Eva takes place in an alternate future where these movies don’t exist, so playing God with robot feelings seems like an okay idea until it’s not.
As if you needed another reason to be annoyed by white male privilege and spoiled rich kids, the first trailer for The Riot Club has arrived. The film unites two male stars from two big YA movie franchises—Sam Claflin from The Hunger Games and Max Irons from Divergent—which should be an attractive draw for the younger female audience. And to appeal to the more discerning movie-goer, The Riot Club comes from director Lone Scherfig, who previously helmed An Education.
I really want to see While We’re Young and I’m terrified to see it at the same time. I love writer/director Noah Baumbach (he’s the guy who made The Squid and the Whale, Greenberg, and Frances Ha), and I can really relate to the premise of an older, childless married couple trying to recapture their youth. But I think I might relate to that premise a little too strongly.