There's a moment in 'Happy Christmas' when Anna Kendrick, Melanie Lynskey and Lena Dunham have a few cocktails in a basement converted to a tiki bar, and that moment quietly strikes gold. The scene – three woman jawing about the balance of work and life – doesn't gear up to be some big emotional breakthrough. It just happens au naturale, unladen with political pamphleteering or, quite frankly, even looking for any solutions. It is a great microcosm of Joe Swanberg's newest film. Insight does occasionally spring from this movie in what looks like an effortless fashion, but the movie as a whole looks like hardly any effort went into it.
Despite its seemingly low-key release, 2012's 'Pitch Perfect' was one of the year's biggest surprise hits and most pleasant surprises, grossing $115 million worldwide and winning over even the most cynical of audiences. A sequel was a no brainer, but we've already been thrown a curveball -- original director Jason Moore will not be back and will be replaced by producer and star Elizabeth Banks, making her directorial debut.
There's nothing funny about schizophrenia. 'The Voices' understands this, and shows the horror of the disease. And then has you cracking up anyway. It's this diabolical blend of shock and candy-colored kitsch without mockery that makes this first English-language film from Marjane Satrapi ('Persepolis,' 'Chicken with Plums') so unique and, to be honest, something that will turn most people off.
The new 'Rapturepalooza' trailer seals the deal: 2013 is the year of the apocalyptic comedy. For whatever reason, the next few months will see the theatrical release of three comedies about people trying to survive as the world crumbles around them. When, exactly, does a high concept stop being unique?
Aca-heck yes! Universal confirms they're planning a 'Pitch Perfect 2,' and that news is so great that we don't even care that we can't see it for another couple years or so.
There are probably more works of fiction about the Weather Underground than there were ever members.
Okay, that's a hyperbolic statement, but when you get in the mindset of the radical left of the 1960s and 1970s you tend to get a little grand in your rhetoric. The Weather Underground, if you don't know, was the anti-Vietnam youth movement so sickened by the US's foreign policy that they felt they had to “bring the war home” with acts of domestic terrorism. In real life, they called ahead to warn of bombs in government buildings – and the only blood they shed was their own during an explosives accident in a Greenwich Village apartment – but for the movies, even one by a bonafide liberal like Robert Redford, it is easy to paint them as people who let their ideals take them too far.
What's wrong with a little good clean fun? While a cappella versions of the biggest pop hits of the '80s, '90s and today are not exactly my jam, a crowd-pleasing comedy with a few unexpected subversive moments can be. It would take a misanthrope of the highest order to dislike 'Pitch Perfect,' preposterous and predictable though it may be.