Earlier today, 'Man of Steel' director Zack Snyder and star Amy Adams sat down with Kevin Smith at a special fan event for the upcoming Blu-ray release, with Henry Cavill telecasting in from London -- but the making of that film wasn't all they discussed. Snyder dropped a few hints about his sequel, working under the tentative title 'Batman vs. Superman,' which, obviously features the caped crusader going up against the Man of Steel himself.
The past few weeks have been awash in Batman casting rumors with everyone from Josh Brolin to Ryan Gosling apparently being on Warner Bros.' secret short list. However, new rumors suggest that the studio may cut its losses and stick with what works. The latest chatter, once again, claims that Christian Bale is being asked to reprise the role for the announced 'Batman vs. Superman' movie, and he's getting, uh, a substantial paycheck waved in front of him.
Other than the trademark red underwear being removed, Superman's costume in 'Man of Steel' was remarkably close to the classic design. Blue suit, red cape, red "S" on yellow shield and so on. However, some newly released concept art for the film reveals that this traditional approach was only one of many options explored by director Zack Snyder and his army of designers. Can you imagine a black and white Superman costume? How about one with no cape?
Before he was the 'Man of Steel,' Henry Cavill already established himself in both the small- and big-screen worlds. Chances are, you might have seen the work of this Superman star (or perhaps his abs of steel) and not even realized it. We take a look back at Cavill's earlier work, before he landed the role of his career.
Although this summer has been full of highly-anticipated blockbusters, 'Man of Steel' may be the one that has worked fans into the biggest tizzy. The long-overdue follow-up to Bryan Singer’s 'Superman Returns,' conceived as a reimagining of the character from the ground up, promises the kind of moral complexity of the last three Batman movies, while still retaining the energy and frenetic action of, well, all of the earlier Superman movies. Director Zack Snyder created a singular vision for Superman’s beginnings, rebranding the character as an outsider struggling to find his place in a world that he knows is not his own.
At the recent Los Angeles press day, we got to speak with the cast and crew of 'Man of Steel.' In addition to discussing the challenge of bringing Superman back to life, the actors talked about their physical and psychological roles within the film, while the filmmakers offered their perspective on why the character endures – and why that enduring persona had to be reinvented for a new generation.
Yesterday, it became clear that DC and Warner Bros. were intent on following the Marvel model for successfully building a superhero movie universe. So does that extend to ripping off Marvel's fondness for teasing their upcoming projects with a 'Man of Steel' post-credits scene at the conclusion of the film? The answer may surprise you.
I believe a man can fly -- and beat the living hell out of Michael Shannon for close to 40 compounded minutes in ways hitherto unseen on film. But Zack Snyder's 'Man of Steel' is no mere slugfest. It goes for broke, faces the legend and tackles the iconography of one of modernity's largest-shared myths, Kal-El of Krypton, on its own terms. It is among the finest "franchise reboots" of all time, which may sound like a bit of a backhanded compliment until you realize that this is, in fact, a genre unto itself. It manages, somehow, to be "the same but different," a new film that everyone under the yellow sun knows from beginning to end. It is the film of summer 2013.