Director Anton Corbijn's 'A Most Wanted Man,' adapted from 'Tinker, Tailor, Soldier, Spy' author John le Carre's novel, will soon be released in the US by way of Lionsgate, but for now we have to settle for a Spanish-subtitled trailer of this psychological thriller.
Philip Seymour Hoffman
The Coen Brothers' 1998 film 'The Big Lebowski' has become a massive cult favorite in the 15 years since its initial release with its tale of a lifelong slacker known to his friends as The Dude. Thanks to an unfortunate case of mistaken identity, The Dude finds himself mixed up in the kidnapping of a millionaire's young girlfriend, further complicated by his hotheaded friend, Walter. Along the way he runs into a pornographer, some nihilists and a ferret on his quest to just, you know, be left alone to do his thing, man. Today, we take a look back at the cast of this beloved comedy classic and see what they're up to now.
Earlier this year we learned that 'The Amazing Spider-Man' baddie Rhys Ifans would take his talents to the small screen as Sherlock's brother, Mycroft, on 'Elementary,' but the one-time 'Danny Deckchair' star seems to have set his sights on a more permanent home. Ifans will join Philip Seymour Hoffman and Kathryn Hahn on Showtime's buzzworthy new drama 'Trending Down,' but will he be the one to put Hoffman in his place?
Oscar-winner Philip Seymour Hoffman may have a few early odd TV credits to his name, but the soon-to-be 'Hunger Games: Catching Fire' star is about to make the small screen a full-time business. Hoffman has joined 'Anchorman' star Kathryn Hahn for Showtime's new dramedy pilot 'Trending Down,' but will the new project make it to series?
We got our first official look at 'The Hunger Games: Catching Fire' in the form of a new Entertainment Weekly cover featuring Jennifer Lawrence and 'Hunger Games' newbie Sam Claflin in full Tribute attire. Plus, the first still showing the two getting up close and personal. However, even more new pics from the sequel to last year's box office hit have been released, and there's a lot more drama to be had.
I am an extremely smart, well-educated man. However there are aspects of refined culture that always seem to escape me. Example: I recently took a wine tasting tour in France. "What can you say about this one?" I was asked. "Um, it's good?" "Yes, but notice how the tannins aren't too rich in the front but the finish is clear in the back? And the notes of black current, honey and tobacco smoke?" "I taste grape."
I'm exaggerating, but this is what I want to shout during most movie scenes featuring classical musicians practicing a piece. It sounds fine, then the teacher comes in and shouts, "No! You have to FEEL it, to understand what the composer was saying about heartache and despair!" And then the teacher proceeds to play it in pretty much the exact same way.
It drives me crazy and, to be sure, it happens in 'A Late Quartet,' but, luckily by this point of the film you are quite in tune with the different characters -- know them, even -- and are willing to let it slide. Frankly, a great deal of 'A Late Quartet,' a gossipy soap opera for the NPR-set, is forgiven because of its marvelous cast.
Philip Seymour Hoffman is having a heck of a year. He co-stars in 'The Master,' which just set box office records this weekend, and it's likely he will nominated for an Oscar for his work. He's also signed up for a plum role in 'The Hunger Games: Catching Fire,' and now he's looking to direct 'Ezekiel Moss.'
The year is 1950. Lancaster Dodd (Philip Seymour Hoffman) has founded a new religious philosophy based on the notion that we can all be free of "past trauma" if we recognize that man is not an animal but rather a soul that lived through trillions of years and thousands of lifetimes. But if that's true, how do you explain Freddie Quell (Joaquin Phoenix), whose back is so hunched, whose shoulders are so narrow, and whose arms hang so low to the ground that he looks like some missing link between man and beast. He walks upright, but unsteadily, as if he just learned how to do it. If anyone ever evolved from apes, it's Freddie Quell. And recently.
Quell, who wanders into Dodd's life in a drunken stupor and becomes his confidant, assistant, photographer, and unofficial bodyguard, doesn't just look like an animal; he behaves like one, lashing out anyone who threatens Dodd with the ferocity of a caged tiger. Most of the members of Dodd's movement called him "The Master" because he is the head of their religion. When Quell calls Dodd "Master" it sounds different. Their relationship is as much teacher and pupil as attack dog and owner.
That relationship forms the core of Paul Thomas Anderson's remarkable new film 'The Master,' which is less about the origins of Scientology -- although Dodd is an undeniable analogue for L. Ron Hubbard, the man who invented the infamous religion -- than about the push and pull between these two men.
It seems fairly obvious to anyone with a functioning brain that Paul Thomas Anderson's upcoming film 'The Master' is, in part, based on Scientology and its creator, L. Ron Hubbard. Unfortunately for Anderson, Scientologists are unhappy with this portrayal and they're railing against the film.