There's no getting around it, 'All You Need is Kill' was an unwieldy title, and even with Tom Cruise starring in the film, the name could be seen as a turn-off. So it's no surprise that Warner Bros. -- who plans to launch the movie at Comic-Con 2013 -- have changed the title to 'Edge of Tomorrow' and have done so with a brand-new poster.
Just a few months before filming was scheduled to begin, Tom Cruise has abruptly left Warner Bros.' planned remake of the classic '60s TV series 'The Man From U.N.C.L.E.' But one action-packed remake of an old spy TV show's loss is another's gain. Cruise will instead focus his attention on 'Mission: Impossible 5' which is now gearing up to begin production later this year.
On May 7, Christopher McQuarrie’s proud return to the silver screen, 'Jack Reacher,' arrives on Blu-ray. The film, which stars Tom Cruise, is based on a series of books by author Lee Childs, and follows the title character, an ex-soldier who kicks a lot of ass while investigating a series of murders by a former U.S. army sniper. In advance of its upcoming release, Paramount Home Entertainment enlisted a small group of reporters to visit the Paramount Pictures back lot and experience first-hand what Cruise and his co-stars went through during shooting – including stunt driving, and most crucially, fight training. And we were there.
Tom Cruise and science fiction are a powerful combination. Although the opening weekend of 'Oblivion' didn't break any records big or small, it's a more than solid start for a non-franchise, non-sequel, non-reboot. That's a sad statement on the current state of Hollywood, but that's another topic for another day.
'Oblivion' is best described as opportunity, squandered. Its landscape – conceptual and physical – feels remarkably unique and bursting with possibilities, but the exploration of both lacks originality, and energy. Joe Kosinski’s follow-up to 'TRON: Legacy' is, like its predecessor, a gorgeously mounted, inventive world-building endeavor, but it’s also equally bloodless -- ponderous without being thoughtful, ambitious without being inspired, much less inspiring. The chronicle of a battle for the fate of humankind that possesses little humanity of its own, 'Oblivion' is an overstuffed compendium of familiar genre tropes rendered with ornamental beauty but not much emotional depth.