If it's set in Middle Earth, it's going to open at number one. That's common knowledge. The big question is always how big or how small it's going to open at number one. 'The Hobbit: The Desolation of Smaug' did open at number one this weekend, but it's a number that's going to feel controversial for people who like to bicker about box office numbers. Is it good? Is it bad? Is it disappointing? Honestly, you could make a case for all of those.
A Madea Christmas
The night after watching Tyler Perry’s latest film, I had a dream where I was trying to do something, and never pulled it off – and that’s a lot of what 'A Madea Christmas' is like: a lot of effort that ends up being pointless, but feels exhausting anyway. That sounds crueler than I mean for it to, since I did in fact laugh at it, a lot, certainly more than I did in my dream. But as with most of Perry’s films, 'A Madea Christmas' is messy and half-baked, funny on purpose but especially when trying to be serious, and ultimately as convincing as a comically-oversized man, dressed up in drag, mispronouncing words in a way that no one possibly could.