The last time Christopher Nolan released a movie, film critics got death threats. That was back in 2012, when Nolan released ‘The Dark Knight Rises,’ and the first writers who dared to stray from the positive consensus about the film received waves of overwhelming backlash. After Marshall Fine published his pan, his site and his page on Rotten Tomatoes were both bombarded with angry comments politely requesting he “die in a fire” and hoping someone would beat him into a coma with a “thick rubber hose.”
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In the last couple years “What [Movie X] Gets Wrong About [Thing Y]” pieces have become one of the most common types of articles in all of online film writingdom. Their popularity is not hard to explain. Dopes like me see a movie like ‘Interstellar,’ filled with incomprehensible conversations about astrophysics, and they’re curious just how fast and loose the filmmakers played with the truth. The problem comes when authors take their nitpicks one step further into the realm of criticism; when “What X Gets Wrong About Y” becomes “What X Gets Wrong About Y—And Why That Ruins The Movie.”
ScreenCrush’s Comic Strip is a weekly roundup of the hottest superhero movie/TV news items. From Marvel to DC and points in between, if it pertains to costumed comic book heroes, we’re covering it here, bringing you our expert analysis. This week, an Oscar nominee is targeted for the new Joker, Marvel reveals 'Ant-Man' snippets, and a dead 'Spider-Man' character may return.
First of all, if you haven’t seen ‘Interstellar,’ well, this is your one and only warning that major spoilers lie ahead. We good? Let’s continue. About three-fourths of the way through ‘Interstellar' -- a movie I mostly think is pretty good -- we finally meet a character that we’ve been hearing about for the entire movie, Dr. Mann.
People love watching famous people accept trophies. So, every so often, The Huffington Post’s Chris Rosen and ScreenCrush’s Mike Ryan will speculate about these trophies and which famous person might win one. It will be fun. Let’s talk some trophies! Today, we discuss smear campaigns against movies and the recent New York Times piece about Christopher Nolan and Jessica Chastain.
Watching 'Interstellar' on film gives it an additional layer of poignance that wouldn’t be there otherwise. 'Interstellar' on 35mm may not be the superior experience, but it is undeniably the more complete one.
Marvel has built their movie empire partially on anticipation and excitement among the core fanbase. Marvel has a tradition of post-credits scenes after their movies, ever since the first 'Iron Man' movie introduced Samuel L. Jackson as Nick Fury and name-dropped the "Avengers Initiative." It's worked out quite well for Marvel. And, while DC and Warner Bros. are very eager to catch their competitors, don't expect them to follow suit. When Warner Bros. asked Zack Snyder and Christopher Nolan to add a post-credits scene to the end of 'Man of Steel,' Nolan told them, "a real movie wouldn't do that."
ScreenCrush’s Comic Strip is a weekly roundup of the hottest superhero movie/TV news items. From Marvel to DC and points in between, if it pertains to costumed comic book heroes, we’re covering it here, bringing you our expert analysis. This week, Marvel breaks the internet with its Phase Three announcement, DC prepares a trilogy for Wonder Woman, and Sony plans a really strange Spider-Man spin-off.
Christopher Nolan's 'Dark Knight' trilogy helped pave the way for the current wave of superhero film mania by introducing audiences to a different kind of superhero film: one that was darker and more serious, and a bit more cinematic than some of the cornier predecessors. But would Nolan, whose sci-fi drama 'Interstellar' hits theaters this month, ever return to the genre? You might think not, but then you might be wrong. In a recent interview, Nolan answered that question, and talked about his relationship with Warner Bros., and being asked to produce a Batman reboot and the 'Justice League' film.
Deep, deep into the 169 minute running time of ‘Interstellar’ is a scene in which astronaut pilot Cooper (Matthew McConaughey) must dock a spaceship with another, larger, out of control spinning space ship. The solution is to spin the smaller ship at the same speed, so that the effect makes it looks like both crafts aren’t spinning at all. So, by spinning everything out of control, it manipulates the situation into looking normal. This is also an apt description of the style of ‘Interstellar’’s director, Christopher Nolan.