It feels like several years have passed since Christopher Nolan released ‘Interstellar,’ but that’s just because I’m still stuck on that tidal-wave planet where time dilates and stuff. In reality, it’s only been a couple months since Nolan’s latest epic sci-fi film, which opened to positive reviews and, despite its heady subject matter, went on to earn more than $660 million worldwide. Love it or hate it, you have to at least respect the fact that Nolan’s still making huge blockbusters based on original ideas and deeply personal subject matter—as opposed to board games or toys or something.
Christopher Nolan - Page 3
As ‘Batman’ goes, so goes comic-book movies. When Tim Burton turned the Dark Knight into a retro-gothic hero, Hollywood followed suit with a slew of heavily stylized pulp throwbacks. (See: ‘Dick Tracy,’ ‘The Phantom,’ ‘The Shadow,’ etc.) And when Christopher Nolan turned the Dark Knight into, well, ‘The Dark Knight,’ it sparked a wave of “grim and gritty” movies, with serious superheroes doing and saying serious things in outrageous spandex costumes that had been reimagined as biker gear or body armor. (See: ‘Man of Steel’ [Or maybe don’t.]) There’s been some pushback, but we’re really only now coming out of the trend toward ultra-serious, uber-dark comic-book movies.
Over the last couple of days, rumors have been swirling that the folks at Warner Bros. have offered Christopher Nolan the director’s chair for the adaptation of Ernest Cline’s novel ‘Ready Player One.’ While it seems pretty unlikely that Nolan would take the job, a few more names have emerged, also reportedly on WB’s director shortlist: Robert Zemeckis, Edgar Wright (of course), Peter Jackson, and Matthew Vaughn.
‘Colbert Report’ host Stephen Colbert likes to be entertained when he goes to the movies—if that involves a lot of stuff getting blown up, all the better—and if said entertainment is served up with a heaping side of “thinking stuff,” well, he doesn’t really know what to do with that. On last night’s ‘Report,’ Colbert hosted ‘Interstellar’ director Christopher Nolan, who has a knack for making Colbert think and get excited about the blowing up stuff. Why, Colbert wondered, can’t Nolan just be satisfied with making entertaining stuff? Why must he make us think?
Like so many major films released these days, ‘Interstellar’ has a comic book tie-in. But unlike most comic book tie-ins, this one is actually written by the original film’s director and is premiering online. And yes, you can read the whole thing right now, free of charge. We’re going to jump straight into spoilers right at the end of this sentence, so if you haven’t had a chance to see Christopher Nolan‘s science fiction adventure yet, you may want to consider turning around.
The ‘Interstellar’ Unlimited Ticket will be available at over 300 AMCs around the country. The press release says “ticket price varies by location, ranging from $19.99 to $34.99”; at the AMC Empire in Times Square, the standard admission is $14.99, meaning you’d have to see the film three times to justify the high-end unlimited price. The upside is that the Unlimited Ticket is good for any showtime and format including IMAX. At $20 a pop in New York City, you’d only need to see it twice in IMAX to make your money back.
Ever since the earliest screenings of Christopher Nolan's ‘Interstellar,’ there have been criticisms about the film's sound mix—that the dialogue is difficult to understand at times, often overtaken by the sound effects and score. Audiences and critics alike have pondered whether this was a filmmaking error, or a matter of movie theaters not playing the sound correctly, but now Nolan himself has finally spoken up to clarify that the sound is playing as intended, calling the final product “adventurous and creative.”
The last time Christopher Nolan released a movie, film critics got death threats. That was back in 2012, when Nolan released ‘The Dark Knight Rises,’ and the first writers who dared to stray from the positive consensus about the film received waves of overwhelming backlash. After Marshall Fine published his pan, his site and his page on Rotten Tomatoes were both bombarded with angry comments politely requesting he “die in a fire” and hoping someone would beat him into a coma with a “thick rubber hose.”
In the last couple years “What [Movie X] Gets Wrong About [Thing Y]” pieces have become one of the most common types of articles in all of online film writingdom. Their popularity is not hard to explain. Dopes like me see a movie like ‘Interstellar,’ filled with incomprehensible conversations about astrophysics, and they’re curious just how fast and loose the filmmakers played with the truth. The problem comes when authors take their nitpicks one step further into the realm of criticism; when “What X Gets Wrong About Y” becomes “What X Gets Wrong About Y—And Why That Ruins The Movie.”
ScreenCrush’s Comic Strip is a weekly roundup of the hottest superhero movie/TV news items. From Marvel to DC and points in between, if it pertains to costumed comic book heroes, we’re covering it here, bringing you our expert analysis. This week, an Oscar nominee is targeted for the new Joker, Marvel reveals 'Ant-Man' snippets, and a dead 'Spider-Man' character may return.