Toronto 2016 Review: ‘Free Fire’
I’ve already heard one colleague refer to Ben Wheatley’s Free Fire, in which an arms deal goes wrong and escalates into an almost 90-minute-long shootout, as a kind of cinematic high-wire act. But high-wire acts don’t last 90 minutes; watching somebody balance on a wire for 90 minutes would get pretty boring if that’s all they were doing. There’s an audaciousness to Free Fire that’s self-defeating. Yes, Wheatley pulled off a feature-length gun battle. But the result is so monotonous that I ran out of patience long before the participants ran out of bullets.