It’s been awhile since we’ve heard anything from the front of Gone Girl pair David Fincher and Gillian Flynn’s Utopia adaptation at HBO, but with Fincher’s Video Synchronicity seemingly on ice, Utopia may again rise. And what better way to get things moving, than reuniting with The Girl With the Dragon Tattoo, Rooney Mara?
David Fincher - Page 2
Pilot production and purchased scripts are never any guarantee of success in the TV world, but less frequently does a big-name HBO series in production suddenly pull the plug. That fate may now have befallen A-list director David Fincher, as HBO has reportedly shut down production of upcoming ‘80s comedy Video Synchronicity.
If you're a big Fight Club fan (and, if so, who can blame you), you might have seen a lot of the subliminal messages cut throughout the film like the many split-second Tyler Durden appearances or the occasional flashes of, ahem, the male anatomy. But, here's something you may have missed: director David Fincher says there is a Starbucks coffee cup hidden in every scene of the movie.
Google “Gone Girl” and “Hitchcockian” and you get 37,400 results. (37,401, once this piece goes up.) Critics and viewers hailed David Fincher’s adaptation of author (and screenwriter) Gillian Flynn’s domestic drama as a superb modern version of an old-school thriller by the Master of Suspense. Whether that was Fincher and Flynn’s goal all along, or simply an interesting byproduct of their work, it’s interesting in light of today’s news that Fincher and Flynn are looking to reteam—along with their ‘Gone Girl’ star, Ben Affleck—on a remake of one of Hitchcock’s most beloved films, 1951’s ‘Strangers on a Train.’
David Fincher’s ‘Gone Girl’ was unsurprisingly one of the most talked about films of 2014—based on the novel by Gillian Flynn (who adapted her own story for the screen), the film took a wry and often cynical look at relationships, gender dynamics, and the darker side of marriage, all wrapped up in the alluring package of a mystery thriller. For those curious about what happens to the main characters of the film once the movie ends, Flynn is now teasing the possibility of a sequel.
Gillian Flynn's 'Gone Girl' was a divisive novel upon release in 2012, analyzed and picked apart, often scrutinized and questioned for its depiction of central character Amy Dunne -- was she a "strong female character" or a strong enough female character, and just what the hell does that phrase even mean anymore? It's almost derogatory now. There was perhaps no one better to adapt Flynn's pulpy work than David Fincher, whose film version hits theaters this week and faithfully adapts Flynn's story, serving as an indictment of media vultures and the toxicity of marriage. But it goes one (and even more) further than that, hitting on something imperative to Flynn's novel: how we want to perceive Amy, and how we feel about her as a character when that perception is challenged.
Don’t believe the pre-release speculation – when 'Gone Girl' arrives in theaters this Friday, its original ending is (in spirit, if not exact detail) intact. That’s sure to rankle some of the countless readers who originally objected to Gillian Flynn’s 2012 best-seller on the basis of its conclusion.
A long time ago, in a galaxy far, far away (AKA, a few years ago), David Fincher was courted to direct 'Star Wars: Episode 7.' We know how that turned out: J.J. Abrams ultimately landed the job and Fincher went on to direct an adaptation of Gillian Flynn's 'Gone Girl.' However, in the world of trivia, this has got to be one of the most interesting near-misses in blockbuster history.
Bestselling author Gillian Flynn may have penned the script for the very first film based on one of her novels -- David Fincher's 'Gone Girl' -- but that doesn't mean that the writer balked at slicing and dicing her own work. We've known for a quite some time (since January, when Fincher's film was the cover story on Entertainment Weekly, to be precise) that Flynn had changed her own story for the big screen, with a big emphasis placed on mixing around the feature's third act.
"The only really stable character in this house is the cat," remarked a reporter at the press conference following the screening of 'Gone Girl' that kicked off the New York Film Festival. But as Tyler Perry said, "You haven't met the cat."