Emily Blunt

‘Sicario’ Screenwriter on Those Emily Blunt-less Sequels
‘Sicario’ Screenwriter on Those Emily Blunt-less Sequels
‘Sicario’ Screenwriter on Those Emily Blunt-less Sequels
Let’s say you’ve been given three wishes by one of those C-list celebrities that keep appearing as the Ghost of Christmas Whatever in Hallmark specials. What do you wish for? Since I like to think of myself as a good person, I’d probably spend the first two wishes ridding the world of hunger and violence or cleaning up our carbon footprint with a snap of my fingers. But my third? That one I might waste on unlimited money, so I could continue to make movies that solidifies Emily Blunt as the biggest action star of our generation. Forget Scarlett Johansson; after The Huntsman: Winter’s War, Sicario, and Edge of Tomorrow, Blunt is the woman to beat in my book.
‘The Girl on the Train’: 15 Differences Between Book and Film
‘The Girl on the Train’: 15 Differences Between Book and Film
‘The Girl on the Train’: 15 Differences Between Book and Film
A year before Paula Hawkins’ debut novel hit the stands, Universal secured the rights to what was sure to be the next ‘Gone Girl’ — a mystery thriller about three women and the disappearance that ties them together. Sure enough, ‘The Girl on the Train’ became a bestseller, and the film adaptation, which stars Emily Blunt, Haley Bennett, Rebecca Ferguson and Justin Theroux, hits theaters this weekend. As is typically the case, there are some notable differences between the book and film, but just how many changes were made from page to screen?
‘The Girl on the Train’ Review: Take the Next Train
‘The Girl on the Train’ Review: Take the Next Train
‘The Girl on the Train’ Review: Take the Next Train
It’s no wonder Paul Hawkins’ debut novel, The Girl on the Train, novel was quickly pegged “the next Gone Girl,” and that DreamWorks scooped up the rights a year before the novel hit shelves. It’s a murder mystery told by an unreliable narrator full of twists, sex and violence. It has all the makings of a hit. But here’s a hot take: despite topping the bestseller list, Hawkins’ book isn’t good. Piggy backing on the hype of Gillian Flynn’s work, the novel uses a gimmicky narrative structure to glorify melodrama and violence. That could’ve been salvaged as a high-intensity thriller that indulged in the trashy source material, but director Tate Taylor’s (The Help) adaptation falls ill to the same shortcomings of the novel, resulting in a sluggish mess of self-seriousness.
Ben Whishaw May Join Emily Blunt For ‘Mary Poppins Returns’
Ben Whishaw May Join Emily Blunt For ‘Mary Poppins Returns’
Ben Whishaw May Join Emily Blunt For ‘Mary Poppins Returns’
In what is shaping up to be the most pleasant of Disney’s new live-action offerings, the consistently pleasant Ben Whishaw is in talks to join the similarly quite pleasing Emily Blunt and the equally personable Lin-Manuel Miranda in the indubitably enjoyable Mary Poppins sequel. It may be fairly unsurprising news, but that doesn’t make it any less wonderful.

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