When the sequel to James Mangold’s The Wolverine was announced last year, writer David James Kelly was attached to the project. That appears to no longer be the case, as Fox has tapped Michael Green for screenwriting duties on the next chapter in our favorite furry mutant’s journey. It’s unclear whether Green will be starting over from scratch or simply delivering rewrites, but Fox is probably intent on really nailing this sequel, as it will be the last time we see Hugh Jackman portray the character on screen.
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The trailers and images from Joe Wright’s Pan haven’t exactly inspired confidence in the upcoming prequel/origin story of everyone’s favorite lost boy (sorry, Kiefer Sutherland). Just about the only promising aspect is the involvement of Wright, who has a pretty great track record with previous films like Hanna and Atonement. But now Warner Bros. is giving us a little more time to get excited for the film by pushing the release date back by five months.
In case you had forgotten, there’s a new Peter Pan origin story hitting theaters this year, in which Hugh Jackman sports a questionable hair piece and even more questionable facial hair. To remind you, Warner Bros. has released a new trailer for the upcoming Pan, which comes from the beloved Joe Wright, the director of some movies you really enjoy, like Hanna and Atonement.
Ben Affleck and Matt Damon are about to get themselves some of that faith-based drama money. Cha-ching. The duo are producing the upcoming biblical drama Apostle Paul, with Hugh Jackman signing on to star as the film’s titular protagonist, a man responsible for writing almost half of the books in the New Testament. In modern terms, yeah, he was kind of a big deal.
ScreenCrush’s Comic Strip is a weekly roundup of the hottest superhero movie/TV news items. From Marvel to DC and points in between, if it pertains to costumed comic book heroes, we’re covering it here, bringing you our expert analysis. This week, Batman v Superman spoilers are revealed, the big screen and small screen Suicide Squads butt heads, and Joss Whedon spills his guts on Avengers: Age of Ultron.
Recently, Hugh Jackman expressed a desire to continue playing Wolverine until he dies — or until Fox decides his time is up. It looks like that time is fast approaching, as Jackman himself has announced that The Wolverine 2 will be his final outing as the iconic X-Men character, although whether or not he’ll appear in X-Men: Apocalypse remains uncertain.
Earlier today, we reported the rumor that not only has Captain Marvel been cast, but she’ll be making her first appearance in the already superhero-heavy Avengers: Age of Ultron. Having major superheroes make cameos or debut in other films from their respective studios has become the norm, so it’s hardly surprising to hear that X-Men: Apocalypse — which is said to primarily focus on the First Class cast — will feature a few cameos from other X-Men…including one pretty exciting mutant in particular.
If you’re in need of about five minutes of Chappie star Hugh Jackman and Tonight Show host Jimmy Fallon discussing, joking about, and sporting mullets, have we got a clip for you. Jackman stopped by the show last night to talk Chappie – all robots and future and stuff – but Fallon quickly fixated on his favorite element of the entire film: Jackman’s mullet. Turns out, Jackman went full mullet for the role, and it’s actually not the first time he’s grown out his own party in back/business in front coif.
Starting tomorrow, audiences around the country will be able to see Hugh Jackman in Chappie, playing a former military man turned robotics engineer trying to produce a new human-piloted police drone. He sports a hideous mullet, spends most of the film sitting at a dreary cubicle, and generally behaves like a dope. So if you’re a Jackman fan looking for the guy you love in the X-Men and Wolverine movies, I’m afraid you’re going to have to wait a while longer.
The technology in Neil Blomkamp’s movies is so fully realized and intricately detailed that it feels like another one of his characters. Now Blomkamp’s made Chappie, a film where that’s literally true in the form of a police robot given the gift of human consciousness. The result is one giant metaphor for itself; a story of the world’s first true artificial intelligence and how it is almost corrupted by violence, presented in a movie where any semblance of serious consideration of what it means to be alive is drowned out by gunfire, explosions, and macho posing.