Between Donald Trump, Confederate flags, Rachel Dolezal and marriage equality, it’s a painful time for SNL to be on hiatus. Thankfully, the NBC sketch comedy today bring us one step closer to September (okay, last September) with a cut sketch from the Season 40 premiere featuring Guardians of the Galaxy favorite Chris Pratt putting on his best Jason Statham.
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Not much is known at this point about Fast and Furious 8 — we do know that Vin Diesel will return, and it’s assumed that much of the main cast will return to reprise their roles from the franchise as well. Diesel also teased a location change to New York City, but that’s about it. But now we have another piece of information about the eighth installment in the franchise: Jason Statham will also return.
Late last week, news that Daredevil Season 2 might target Spy star and action hero Jason Statham for the villainous Bullseye was met with near-overwhelming acclaim, and today those million voices crying out have been suddenly silenced. Statham has apparently dropped out of Daredevil negotiations, and even taken a swipe at Marvel to boot.
Marvel’s Netflix Daredevil gave us a small peek under the mask with news that iconic assassin Elektra might throw her sais in Season 2, but the comic company may have hit a much bigger target. Marvel has reportedly set its sights on Jason Statham as Daredevil antagonist Bullseye, while the Man Without Fear’s second season may also set up a major Spider-Man connection.
Paul Feig’s The Heat took a genre that has traditionally belonged to men — the buddy cop movie — and gave it a female twist. Feig’s new movie, Spy, does much the same thing, this time for spy films, a world that has long been by, about, and for dudes and their power fantasies. Spy explicitly subverts the genre’s typical gender dynamics by casting Melissa McCarthy as a lowly, desk-bound CIA analyst named Susan Cooper, who has spent her entire career in the shadow of a glamorous James Bond-esque spy (Jude Law) and then finally gets her opportunity to step into the spotlight and become a full-fledged field agent.
Welcome back to another installment of Post Credits, ScreenCrush’s movie review show. On this week’s episode, ScreenCrush Editor-in-Chief Mike Sampson and Managing Editor and Film Critic Matt Singer each debate whether to use their license to kill on Spy, the new action comedy from Bridesmaids director Paul Feig and star Melissa McCarthy.
Furious 7 almost certainly won’t be the last Fast & Furious movie. But at times it feels like a series finale. There are numerous callbacks and homages to the franchise’s entire 15-year history. The setpieces are bigger and crazier than ever; it’s hard to imagine anyone topping them. And before the chases really get rolling, the mood is often downright mournful. Two different scenes are set in graveyards, and characters talk about taking “one last ride” together.
In honor of Furious 7, we’re taking a look back at all the major Fast & Furious fights (one or two punches doesn't count) in chronological order to see how this series has transformed. Major SPOILERS for all films ahead.
The spy comedy is a genre almost as venerated and beloved as the spy genre it mocks. There’s Our Man Flint, Casino Royale (the original Woody Allen one), Austin Powers, MacGruber, and now the simply titled Spy. It stars Melissa McCarthy as Susan Cooper, a desk-bound CIA officer who is sent out into the field for her first time after a fabulously well-dressed super-villain (Rose Byrne) learns the identities of every working CIA agent. Now the woman who’s always taken a backseat to her boss (Jude Law, the Bond to her Moneypenny) gets to step into the spotlight.
Post Credits, ScreenCrush’s new movie review show, returns with an all-new episode about one of the most anticipated movies of the spring: Furious 7, the latest entry in the long-running Fast & Furious franchise. Hosts Mike Sampson and Matt Singer dive deep into the film like precision drives diving out of a plane in cars (which is a thing that happens in Furious 7). Topics up for discussion include new director James Wan, new villain Jason Statham, the outrageous stunts and action, and whether or not either host cried at the film’s emotional send-off for late star Paul Walker. (Or, more accurately, whether or not either host would admit they cried at the film’s emotional send-off for late star Paul Walker.)