The first official trailer for Spike Jonze's latest film, 'Her,' looks (dare we editorialize?) fantastic. In the film, Joaquin Phoenix plays a lonely, divorced guy who falls in love with the voice of a computer -- and who wouldn't fall in love with that voice when it belong to Scarlett Johansson?!
By all accounts, Joaquin Phoenix is considered an Oscar frontrunner for his performance in 'The Master.' The only problem is that Phoenix himself wants no part of it. When asked about the possibility of an Oscar nomination, Phoenix took the chance to call the Academy Awards the "stupidest thing in the whole world."
With fewer and fewer truly weird mainstream actors out there, it's a bad idea to take the ones we do have for granted. On that note, we look to Joaquin Phoenix, who has proven to be one of the strangest actors of his generation. With his supposedly career redefining performance in Paul Tho
The year is 1950. Lancaster Dodd (Philip Seymour Hoffman) has founded a new religious philosophy based on the notion that we can all be free of "past trauma" if we recognize that man is not an animal but rather a soul that lived through trillions of years and thousands of lifetimes. But if that's true, how do you explain Freddie Quell (Joaquin Phoenix), whose back is so hunched, whose shoulders are so narrow, and whose arms hang so low to the ground that he looks like some missing link between man and beast. He walks upright, but unsteadily, as if he just learned how to do it. If anyone ever evolved from apes, it's Freddie Quell. And recently.
Quell, who wanders into Dodd's life in a drunken stupor and becomes his confidant, assistant, photographer, and unofficial bodyguard, doesn't just look like an animal; he behaves like one, lashing out anyone who threatens Dodd with the ferocity of a caged tiger. Most of the members of Dodd's movement called him "The Master" because he is the head of their religion. When Quell calls Dodd "Master" it sounds different. Their relationship is as much teacher and pupil as attack dog and owner.
That relationship forms the core of Paul Thomas Anderson's remarkable new film 'The Master,' which is less about the origins of Scientology -- although Dodd is an undeniable analogue for L. Ron Hubbard, the man who invented the infamous religion -- than about the push and pull between these two men.
Can anyone top producer Megan Ellison's production company, Annapurna, when it comes to having terrific taste in filmmakers? Case in point: the Coen brothers' 'True Grit,' Paul Thomas Anderson's 'The Master,' John Hillcoat's 'Lawless,' Wong Kar-wai's 'The Grandmasters,' Kathryn Bigelow's 'Zero Dark Thirty' and Andrew Dominik's 'Killing Them Softly.' Of course, there's also the next film from the great Spike Jonze, which finally has a title and an official synopsis.
Among film buffs, there is no 2012 film more anticipated than Paul Thomas Anderson's 'The Master.' It's been five long years since the modern master's 'There Will Be Blood' knocked us flat on our butts (and drank our milkshake) and his return couldn't have come a moment too soon...only PTA could redeem a year as disappointing as this one has been! 'The Master' had its unofficial premiere last night, a surprise showing following a repertory screening of Stanley Kubrick's 'The Shining' at Santa Monica’s Aero Theater. While no professional critics were in attendance, the regular folks took to Twitter afterwards to share their thoughts.
So...what did people think of 'The Master'?