The year is 1950. Lancaster Dodd (Philip Seymour Hoffman) has founded a new religious philosophy based on the notion that we can all be free of "past trauma" if we recognize that man is not an animal but rather a soul that lived through trillions of years and thousands of lifetimes. But if that's true, how do you explain Freddie Quell (Joaquin Phoenix), whose back is so hunched, whose shoulders are so narrow, and whose arms hang so low to the ground that he looks like some missing link between man and beast. He walks upright, but unsteadily, as if he just learned how to do it. If anyone ever evolved from apes, it's Freddie Quell. And recently.
Quell, who wanders into Dodd's life in a drunken stupor and becomes his confidant, assistant, photographer, and unofficial bodyguard, doesn't just look like an animal; he behaves like one, lashing out anyone who threatens Dodd with the ferocity of a caged tiger. Most of the members of Dodd's movement called him "The Master" because he is the head of their religion. When Quell calls Dodd "Master" it sounds different. Their relationship is as much teacher and pupil as attack dog and owner.
That relationship forms the core of Paul Thomas Anderson's remarkable new film 'The Master,' which is less about the origins of Scientology -- although Dodd is an undeniable analogue for L. Ron Hubbard, the man who invented the infamous religion -- than about the push and pull between these two men.
Can anyone top producer Megan Ellison's production company, Annapurna, when it comes to having terrific taste in filmmakers? Case in point: the Coen brothers' 'True Grit,' Paul Thomas Anderson's 'The Master,' John Hillcoat's 'Lawless,' Wong Kar-wai's 'The Grandmasters,' Kathryn Bigelow's 'Zero Dark Thirty' and Andrew Dominik's 'Killing Them Softly.' Of course, there's also the next film from the great Spike Jonze, which finally has a title and an official synopsis.
We've gotten a teaser and a trailer from Paul Thomas Anderson's upcoming film 'The Master,' but we were sold on the intriguing concept long before that. Now the film has a rather alluring official poster in preparation for its impending release.
Among film buffs, there is no 2012 film more anticipated than Paul Thomas Anderson's 'The Master.' It's been five long years since the modern master's 'There Will Be Blood' knocked us flat on our butts (and drank our milkshake) and his return couldn't have come a moment too soon...only PTA could redeem a year as disappointing as this one has been! 'The Master' had its unofficial premiere last night, a surprise showing following a repertory screening of Stanley Kubrick's 'The Shining' at Santa Monica’s Aero Theater. While no professional critics were in attendance, the regular folks took to Twitter afterwards to share their thoughts.
There's been a flurry of news about Paul Thomas Anderson's 'The Master' recently, as it had its release date bumped up, and it's joined a number of festivals. But though we know the broad outlines of the film (and rumored Scientology bashing), we're happy the film has release more stills so we can look at its actors.
Easily one of our most-anticipated films due out in the second half of the year, Paul Thomas Anderson’s ‘The Master’ has been dishing out clues to the suspenseful trip audiences can expect to take once the drama reaches theaters in October. Joaquin Phoenix starred in that first clip, drenched in mood but showing us very little. His ‘Master’ co-star Philip Seymour Hoffman takes center stage in the next teaser, and if this doesn’t have you salivating for Anderson’s latest, then nothing will.
Director Paul Thomas Anderson's latest film seemed like one we might never see, but thanks to Megan Ellison's Annapurna Pictures, Anderson's vision finally became a reality. Fresh out of Cannes, this teaser trailer for 'The Master' is divine.
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