Melanie Lynskey was surprised when she learned her latest role was written with her in mind. In Netflix’s I Don’t Feel at Home in This World Anymore, Melanie Lynskey plays Ruth, a depressed nursing assistant who appears to be your average woman in a quirky indie comedy. But Macon Blair’s (Blue Ruin) feature film debut isn’t interested in showing us anything we’ve seen before; he’s interested in showing us Melanie Lynskey as a badass action star.
When Melanie Lynskey’s Ruth, a depressed nursing assistant, goes to the home of the thief who stole her laptop and grandmother’s silverware, the thief’s father offers to pay her off. When she refuses money he asks, “Well what do you want?” “Everyone to not be such an asshole,” she says earnestly. In I Don’t Feel at Home in This World Anymore Ruth is on a mission, not just to get her belongings back, but to try to understand why everyone around her perpetually sucks.
Sometimes life gets so irritating that we all just want to lose our freaking minds and go on a rampage to blow off some steam. In Netflix’s trailer for I Don’t Feel at Home in This World Anymore, Melanie Lynskey’s Ruth gets so fed up with all the garbage that happens to her — someone neglects to remove their dog’s business from her front yard,a truck in front of her blows clouds of exhaust into the air, her house gets burgled — that she decides to take matters into her own hands.
Horror anthology films are all the rage these days, from the lo-fi V/H/S series to the the pair of eclectic ABCs of Death films to the recent seasonally-themed Holidays. And yet all of these films have been united by the greater theme of being almost entirely directed by men; the scary-movie genre has always been a bit of a boy’s club, with women fighting tooth and nail for success as exceptions to an archaic rule imposed by Hollywood. The upcoming film XX seeks to change that, however, offering some of of horror’s most promising young female filmmakers the chance to get behind the camera and have some twisted fun.
Melanie Lynskey is one of the best actors working today, and though you may not immediately recognize the name, you’ve undoubtedly seen and enjoyed her work many times over the last two decades. From her big screen debut in Peter Jackson’s 1994 drama Heavenly Creatures to her recent role in HBO’s Togetherness (RIP), Lynskey has been consistently fascinating to watch. Her latest film is The Intervention, a delightful and poignant story about a group of longtime friends who gather for a weekend retreat and, perhaps unwisely, plan to confront two married pals about their troubled relationship.
We’ve seen HBO struggling to launch major hits in the last few years, comedy in particular, and now the Duplass brothers’ Togetherness has come apart as well. The second season will finish out on HBO, but won’t live to see a third.
Joe Swanberg has gone from prolific director of divisive mumblecore indies to director of more widely-seen and loved indie features, like Drinking Buddies — although Swanberg has been making films for over a decade, Drinking Buddies was his mainstream breakout. Or as mainstream as indies can get, anyway. As you can see in the trailer for his latest, his appeal is only growing.
Writer and director Joe Swanberg reunites with his 'Drinking Buddies' star Anna Kendrick for 'Happy Christmas,' an intimate indie dramedy in which Kendrick stars as a willfully regressive 27 year-old who moves in with her older brother and his wife, only to throw their world into (minor) upheaval. A charming counterpoint to popular man-child narratives, Swanberg's latest asks not for sympathy for its main character, but merely identification and a little empathy.
Director (and actor) Todd Louiso follows up 'Love Liza' and 'The Marc Pease Experience' with 'Hello I Must Be Going,' based on a script from first-time scribe Sarah Koskoff. The film follows Amy, a woman going through a divorce who is forced to move back in with her parents in suburban Connecticut, when she meets -- and falls for -- a much younger man. While the film comes close, but never quite manages, to punch you in the gut, Melanie Lynskey's portrayal of Amy is absolutely resonant.
'Two and a Half Men' fans know Melanie Lynskey as the wacky and sweetly diabolical Rose, who may or may not have been responsible for the untimely demise of Charlie Harper. But in the Sundance hit film 'Hello I Must Be Going,' the actress takes on a far different role -- that of a rather reluctant cougar.