Good morning, happy Monday. Have you settled in at work, shaken the snow off your boots, maybe had a cup of coffee? Good, now hold onto your goddamn hat, because Star Wars is happening again.
Rian Johnson - Page 3
The cast of Star Wars: The Force Awakens barely got a few weeks to catch their breath after the whirlwind that surrounded that film’s massive success at the box office before they were called back to London’s Pinewood Studios to start it all over again. Disney CEO Bob Iger confirmed this morning that Lucasfilm and director Rian Johnson have officially commenced principal photography on Star Wars: Episode 8.
If you loved Star Wars: The Force Awakens and can’t wait for the adventures of Finn, Rey, and Poe to continue in Star Wars: Episode VIII, uh, you’re going to have to.
Rewrites are common in filmmaking, especially for big blockbuster films, where there are so many moving parts that filmmakers sometimes need to recalibrate to keep things focused — which makes this rumor about Star Wars: Episode VIII hardly surprising. Rumor has it that Rian Johnson’s screenplay may be undergoing a few minor rewrites as a response to the reactions to The Force Awakens, and while that sentence may trigger an eyebrow raise, you should know that this is totally a good thing — if true.
One of the biggest questions we’re left with at the end of Star Wars: The Force Awakens is who are Rey’s parents? There are a few popular theories floating around online, and while we’ll have to wait until Episode 8 or maybe even Episode 9 to get that answer, Colin Trevorrow promises that we won’t be disappointed when Rey’s lineage is revealed.
Although it was previously rumored that Beyond the Lights breakout star Gugu Mbatha-Raw was in talks to star in Star Wars: Episode 8, it appears as though those talks didn’t quite pan out as another breakout star is now being rumored for the same role: Bel Powley, star of last year’s indie hit The Diary of a Teenage Girl, is reportedly being eyed for the same leading role.
J.J. Abrams revved up the engine on the ol’ Star Wars ship, launching the series on a new journey with The Force Awakens, but declining to return for the subsequent sequels. Instead, Rian Johnson (Looper) and Colin Trevorrow (Jurassic World) will be steering the franchise from here on out, directing Episodes 8 and 9, respectively. Johnson is in production on Episode 8 right now, and according to The Force Awakens star Daisy Ridley, the script is “very good.” How good? Abrams regrets turning down the chance to direct it.
Now that Star Wars: The Force Awakens is in theaters and breaking every box-office record imaginable, it’s time to start looking ahead. Lucasfilm president Kathy Kennedy announced over the weekend that Star Wars: Episode 8 would begin filming in January with the entire cast (well, almost the entire cast…) set to return. But, what do we know about Star Wars: Episode 8 so far, and what questions from The Force Awakens can we expect to be answered in the next film? Let’s take a look at some things we can expect from Rian Johnson’s Star Wars follow-up.
The release of Star Wars: The Force Awakens tomorrow (technically tonight if you bought your tickets early! Squee!) means a few things. It means that there is a new (live-action) Star Wars movie in theaters for the first time since 2005. It also means that all the secrets J.J. Abrams and his team have worked so hard to hide from the world will finally be out in the open (so it see it quick if you don't want to be accidentally spoiled, Homer Simpson-style). And it also means that you’ve got about four days before people stop talking about Episode VII and start talking about Episode VIII.
Anyone who’s attended American film school in the last 20 years, has learned a variation of the same Hollywood history of the 1960s and ’70s. With the original moguls near retirement and death, and new competition from television, studios were in dire shape by the end of the ’60s. They reversed their fortunes by embracing younger audiences, adult content and themes, and new filmmakers; men like Francis Ford Coppola, Martin Scorsese, Robert Altman, and Dennis Hopper. But just a few years after this so-called “New Hollywood” era of experimentation began, it was wiped out and replaced by another, far more profitable model pioneered by directors like Steven Spielberg and George Lucas. They took B-movie premises and genres and coated them in A-movie gloss, and their movies — Jaws and Star Wars — essentially reshaped the American movie industry by inventing the concept of the blockbuster.