Netflix’s Black Mirror Season 3 hasn’t even had a chance to creep the bejeezus out of you just yet, and already Season 4 is upping its pedigree. The next round of dark technology parables has its first director in Jodie Foster, helming one of six new episodes with a first star already picked out.
Joe Swanberg has gone from prolific director of divisive mumblecore indies to director of more widely-seen and loved indie features, like Drinking Buddies — although Swanberg has been making films for over a decade, Drinking Buddies was his mainstream breakout. Or as mainstream as indies can get, anyway. As you can see in the trailer for his latest, his appeal is only growing.
Everything that goes wrong in Poltergeist stems from an act of desecration; the building of a cookie-cutter housing development on top of an old cemetery. Some might find the sheer act of attempting a remake of Poltergeist similarly disrespectful; the 1982 original is something of a masterpiece of suburban terror. But if viewers can look past the sheer audacity of attempting another Poltergeist, they’ll find a solid modernization, the cinematic equivalent of a decent cover version of a great rock song. It’s totally superfluous, and not nearly as satisfying as the original, but well-performed and effective in its own way. It’s nice (or, in this case, deeply unsettling) to revisit an old classic in a new arrangement.
They’re two of the most famous words in the history of the horror genre, spoken by Heather O’Rourke in the original Poltergeist from 1982. That version was directed by Tobe Hooper and produced (and, if you believe the urban legends, ghost-directed, no pun intended) by Steven Spielberg, and starred Craig T. Nelson and JoBeth Williams as the parents of a family whose lovely suburban home is haunted by malevolent spirits. This trailer is for the new remake, which is directed by Gil Kenan, the fine filmmaker behind the animated children’s horror film Monster House. This time, the parents are Sam Rockwell and Rosemarie DeWitt, and Mad Men’s Jared Harris plays the ghost expert who helps rid them of their spectral problem.
Say what you want about him (and we've all said plenty), Adam Sandler does take a chance every once in a while, as proven by his turns in 'Punchdrunk Love', 'Reign Over Me', and 'Spanglish'. When he wants to, he can challenge himself, and it looks like he might attempt that again with director Jason Retiman and his new drama, 'Men, Women & Children.'
Late last week we brought you the news from HBO's second season of 'The Newsroom,' which unfortunately revealed that a scheduling conflict with 'Mad Men' star Rosemarie DeWitt meant the actress had to bow out mid-shooting, and be replaced with another actress. Now, HBO has announced that TV vet Marcia Gay Harden will replace DeWitt in the role, but will it change anything about the second season of the Aaron Sorkin drama?
Despite its premise of following real-world events approximately one year after they take place, we still know relatively little about the second season of Aaron Sorkin's controversial HBO drama 'The Newsroom.' Previously, we'd learned that 'Mad Men' and 'United States of Tara' star Rosemarie DeWitt was to take an important recurring role in the season as a litigator, but now it seems the actress has been forced to exit the production after shooting several episodes. Will HBO recast and re-shoot, or write around the departure?
Well, alright then. Comedian Patton Oswalt's TV career definitely seems to be taking off to new heights, first with a recurring stint on FX's gunslinger drama 'Justified,' and now as we've learned, another recurring gig on HBO's Aaron Sorkin drama 'The Newsroom.' Oswalt isn't alone however, as Rosemary DeWitt has also been tasked for a recurring role, but who will the former 'United States of Tara' stars (yes, both) play?
Impulse and senses collide in a tale of emotional propriety and nebulous boundaries in 'Nobody Walks,' the new film from director Ry Russo-Young. Co-written by Lena Dunham, the film follows Martine (Olivia Thirlby), a young artist who comes to stay with a liberal family and casually shakes their microcosm listlessly as if it were a snowglobe placed there for her amusement.