Sam Raimi

'Ash Vs. Evil Dead' is a 'Jolly Splatterfest' in New Preview
'Ash Vs. Evil Dead' is a 'Jolly Splatterfest' in New Preview
'Ash Vs. Evil Dead' is a 'Jolly Splatterfest' in New Preview
Starz’s Halloween-tinged Ash Vs. Evil Dead gave us a refresher course on Sam Raimi’s horror mastery by the most recent trailer, but no harm ever came from investigating a little deeper, right Ash? Go behind the scenes of the “jolly splatterfest” that is Ash Vs. Evil Dead, chock full of new footage and all the boomstick you can handle.
NBC 'Xena' Reboot Seeks Writer, Possible Lucy Lawless Return
NBC 'Xena' Reboot Seeks Writer, Possible Lucy Lawless Return
NBC 'Xena' Reboot Seeks Writer, Possible Lucy Lawless Return
Initial word of an NBC Xena reboot was met with skepticism from original star Lucy Lawless, only to turn around and confirm that the network had at least considered the idea. Now NBC brass says writing staff for the reboot have been courted, though Lucy Lawless’ actual involvement might require a surprising condition.
Lucy Lawless Confirms NBC's 'Xena' Reboot Plans
Lucy Lawless Confirms NBC's 'Xena' Reboot Plans
Lucy Lawless Confirms NBC's 'Xena' Reboot Plans
A few weeks ago, the surprising news that NBC wanted to stage a Xena reboot of sorts was quickly shot down by Lucy Lawless herself, dismissing it as just a rumor. Now, Lawless acknowledges that the network may yet pull it off, but would she take part, or potentially throw the chakram herself?
Modern 'Xena' Reboot in the Works at NBC
Modern 'Xena' Reboot in the Works at NBC
Modern 'Xena' Reboot in the Works at NBC
You may have seen word strewn about recently that former Xena star Lucy Lawless had in mind to pitch a revival of the classic Warrior Princess drama, and NBC, being NBC, may have beaten her to it. A new report suggests NBC has begun development of a “modern” Xena reboot with a Hunger Games flair, and at least some of the original talent involved.
Sam Raimi Supports Marvel’s ‘Spider-Man’ Reboot
Sam Raimi Supports Marvel’s ‘Spider-Man’ Reboot
Sam Raimi Supports Marvel’s ‘Spider-Man’ Reboot
It’s still a bit strange that we’re getting a third Spider-Man franchise already — the second reboot in three years, and the second reboot since Sam Raimi kicked off the franchise with 2002's Spider-Man. Following Marvel and Sony’s highly-anticipated deal to collaborate on the new reboot of the character, Raimi himself is weighing in with his thoughts on the deal and his faith in the future of Spidey.
'Ash Vs. Evil Dead' Teases First Trailer Footage and Photos
'Ash Vs. Evil Dead' Teases First Trailer Footage and Photos
'Ash Vs. Evil Dead' Teases First Trailer Footage and Photos
Starz’s Ash Vs. Evil Dead gave us a taste of groovy Bruce reprising his chainsaw-wielding icon, as will Friday’s Comic-Con 2015 panel Hail to the King by a full trailer, but why wait? Bruce Campbell himself has revealed the first footage of the new Sam Raimi series, while an inside look at the Necronomicon also previews the Deadites’ return.
Starz Comic-Con Panels for 'Outlander' and Ash Vs Evil Dead
Starz Comic-Con Panels for 'Outlander' and Ash Vs Evil Dead
Starz Comic-Con Panels for 'Outlander' and Ash Vs Evil Dead
Starz’s Outlander made a big splash at Comic-Con last year, but will Claire or Jamie be groovy enough to handle what big Bruce brings to the table? We’ll find out at Comic-Con 2015, as Starz takes both Outlander and Ash Vs. Evil Dead to the big show in San Diego. Oh yes, kings will be hailed, on either side.
‘Poltergeist’ Review: A Decent Remake Haunted By the Spirit of the Original
‘Poltergeist’ Review: A Decent Remake Haunted By the Spirit of the Original
‘Poltergeist’ Review: A Decent Remake Haunted By the Spirit of the Original
Everything that goes wrong in Poltergeist stems from an act of desecration; the building of a cookie-cutter housing development on top of an old cemetery. Some might find the sheer act of attempting a remake of Poltergeist similarly disrespectful; the 1982 original is something of a masterpiece of suburban terror. But if viewers can look past the sheer audacity of attempting another Poltergeist, they’ll find a solid modernization, the cinematic equivalent of a decent cover version of a great rock song. It’s totally superfluous, and not nearly as satisfying as the original, but well-performed and effective in its own way. It’s nice (or, in this case, deeply unsettling) to revisit an old classic in a new arrangement.

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