There are probably more works of fiction about the Weather Underground than there were ever members.
Okay, that's a hyperbolic statement, but when you get in the mindset of the radical left of the 1960s and 1970s you tend to get a little grand in your rhetoric. The Weather Underground, if you don't know, was the anti-Vietnam youth movement so sickened by the US's foreign policy that they felt they had to “bring the war home” with acts of domestic terrorism. In real life, they called ahead to warn of bombs in government buildings – and the only blood they shed was their own during an explosives accident in a Greenwich Village apartment – but for the movies, even one by a bonafide liberal like Robert Redford, it is easy to paint them as people who let their ideals take them too far.
A new trailer for 'The Company You Keep' starring Shia LaBeouf, Susan Sarandon, Robert Redford and pretty much half of Hollywood has hit the web and we gotta say, LaBeouf looks kind of convincing in those smart-person glasses.
In Nicholas Jarecki's 'Arbitrage, Richard Gere plays a billionaire who seems to be cursed by the late Christopher Wallace's words of wisdom. Here he's got a merger going on, which is a terrible time to get into a fatal accident with your lover. Check out the trailer.
Often films about the future try to go the 'Blade Runner' route of having big oppressive cities and flying cars. What's interesting about the 'Robot & Frank' trailer is that it shows the future from the perspective of a smaller town. Technology has advanced, but there are still trees.
‘Mother’s Day’ sounds like the next Garry Marshall ensemble comedy centered around a generic holiday. Thankfully, it’s not … and the reality of the situation sounds much more interesting, especially when it stars the two women up above.
Say the names Michael Moore and Susan Sarandon to conservatives, and you're likely to get an icy stare in return. So synonymous are the two with liberal politics that it only made sense for the filmmaker and the actress to sit down together for a Q&A with both each other and audience members during a 75-minute conversation sponsored by the Tribeca Film Festival.
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