Suspiria

‘Suspiria’ Review: A Masterpiece Is Reborn
‘Suspiria’ Review: A Masterpiece Is Reborn
‘Suspiria’ Review: A Masterpiece Is Reborn
There is a moment early in Suspiria when Tilda Swinton’s Madame Blanc ruminates on the concept of rebirths and “the inevitable pull they exert and our efforts to escape them.” Blanc uses this description in the context of Volk, a stunning dance production born from the harrowing World War II era of Berlin, but it’s also an apt way to describe Luca Guadagnino’s interpretation of Dario Argento’s stylish horror classic — it’s not a remake, but a rebirth or reincarnation, in which Argento’s old ways are forced to reconcile with Guadagnino’s new.

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