When are we to be held accountable for the way we react to what's on screen, and how much of our reaction is to be blamed on the director's failure to communicate clearly? For this we look to the new 'Evil Dead,' 'Tyler Perry's Temptation,' 'The Host' and 'Spring Breakers' -- four very different movies, but all with something in common.
Genius or madman, auteur or amateur, Tyler Perry is a fascinating artist. And while it shouldn’t earn him either new fans or detractors, 'Temptation' is his most polished showcase to date of the bizarre and utterly irresistible divide between his razor-sharp creativity and decidedly duller technical precision. The story of a bored therapist who gets involved with one of her clients, Perry’s film wields melodrama like a hatchet, wringing moralistic justice from a story that’s remarkably more complex than it’s being sold – and, in fact, than Perry probably realizes.