Could Tom Hardy be following in the Stormtrooper footsteps of Daniel Craig? According to the latest rumor regarding Star Wars: Episode VIII, it would appear that the simple answer is yes. And while it’s easy to believe this report based on similarly fun cameos in The Force Awakens, now would be a good time to remind you of the 40 (yes, 40) rumors about that film that turned out to be totally wrong. As always, approach this report with a bit of skepticism, but it may very well be true.
Tom Hardy - Page 2
Tom Hardy isn’t a name one easily lures back to TV these days, at least not on the American side, but an eight-part miniseries venture between FX and the BBC gets the Mad Max: Fury Road star grunting under a crazy hat, and naked in the snow straightaway. Take it in, as FX debuts Hardy’s new Ridley Scott-produced period drama.
It’s official: Christopher Nolan’s next venture will be a World War II film. Yesterday we reported on rumors of Nolan’s super secretive trips to Dunkirk, France with his brother Jonathan Nolan, the location of French evacuation during WWII. Now Variety confirms that Dunkirk will be Nolan’s next film with an original screenplay from the director.
Quentin Tarantino’s tastes are…how should we say…a bit singular. In recent years, the director has declared under-seen indie Afternoon Delight, Woody Allen’s Midnight in Paris and Toy Story 3 as number one on his top 10 lists in their respective years, and though he admits he doesn’t have time to see a lot of new releases, his preferences are often very interesting. This year, Tarantino has gone with a more conventional pick for his favorite film, and it’s one that many of you (and many critics associations) agree with.
How good does a movie have to look to offset its other deficiencies? The Revenant is as beautiful a movie as has ever been made. The photography by master cinematographer Emmanuel Lubezki is inconceivably gorgeous; sweeping wide shots that juxtapose tiny, insignificant men against the overwhelming grandeur of nature, close-ups so intimate they seem like invasions of the actors’ privacy, and action sequences of shocking violence.
This Christmas we’re getting not one, but two violent films in brutally cold wintertime settings, because nothing says the holidays like blood splattered across snow — according to Quentin Tarantino and Alejandro Gonzalez Iñárritu, anyway. A new TV spot for Iñárritu’s The Revenant has arrived online, and just as the title suggests, it features a lot of Leonardo DiCaprio fighting (and fighting…and fighting…) to survive.
By the end of summer, Mad Max: Fury Road was ranking high on nearly everyone’s Top 10 list, and was even voted the best film of the year by the International Federation of Film Critics. With such praise, Fury Road soon popped up in Oscar discussions, and now Warner Bros. is planning to campaign the film for Best Picture, Best Actress, Actor and Best Supporting Actor. So what does it mean? Does Fury Road actually have a chance this year to not only get nominated, but win in any of those categories?
A new interview with the madman behind Mad Max, George Miller, has revealed a few surprising insights for the slew of upcoming sequels that the success of Fury Road rendered all but inevitable. Most notable among them, the bespectacled Miller stated that he was “not sure” that Furiosa would reappear in any Mad Maxes to come
The long and winding Fury Road, that leads to ... several more sequels.
One of the most exciting things about this year in film is how diverse the industry has become in terms of LGBT representation. With films such as The Danish Girl, Freeheld, Tangerine and About Ray, among others, hitting on rarely explored topics relating to queer and transgender characters, the big screen is showcasing a variety of stories that are slowly shifting the landscape of how gender and sexuality are depicted in cinema. However, off screen discussions about coming out of the closet and embracing one’s sexuality have hardly changed for the better. If anything, recent comments by both Matt Damon and Tom Hardy reflect a larger problem in Hollywood that, at a moment of seeming progress, feels stuck in a former conservative era.