Six. Six new clips from Mad Max: Fury Road, for all you impatient readers who just can’t wait another couple of weeks. The above clip features part of a scene we saw at SXSW back in March, formally introducing Charlize Theron’s Furiosa, who gets into a rowdy fight with Tom Hardy’s Max. Theron is featured more heavily in these new clips, which also showcase some of the chase sequences we’ve seen in the trailers.
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When Mad Max: Fury Road was announced, it was reportedly the first in a new series of films that would be followed shortly thereafter by Mad Max: Furiosa, a new sequel focused on Charlize Theron’s character. This was before the production fell behind schedule, went way over budget and reports surfaced that Theron and co-star Tom Hardy weren’t even speaking to each other on set. Now, with the benefit of hindsight, Charlize Theron isn't so sure she wants to take another ride on Fury Road.
You know what’s better than Tom Hardy? Two Tom Hardys for the price of one. That’s what we get in the first trailer for 1960s gangster drama Legend, from the Academy Award-winning writer of L.A. Confidential, lending it a little extra cred for good measure — as if two Tom Hardys wasn’t enough for you.
Now that Avengers: Age of Ultron is arriving this weekend, we can start focusing more of our excitement (if even possible) on Mad Max: Fury Road. We’ve got one final trailer for the film, and it features perhaps the most dialogue and exposition yet — that’s definitely quite a change from previous trailers for the film. What hasn’t changed: fire, blood, monstrous vehicles, and that lovely day Nicholas Hoult has been going on about.
In addition to melting your faces off in Mad Max: Fury Road this year, Tom Hardy will show us a very different side of himself in the upcoming British film London Road. The musical (yes, musical) is based on the acclaimed National Theatre production of the same name, which follows local residents in a town coping with a sensational murder case. In case that didn’t clue you in, this isn’t your typical musical.
Look at this movie’s cast: Tom Hardy, Noomi Rapace. Joel Kinnaman. Gary Oldman. Vincent Cassel. Paddy Considine. Even Jason Clarke shows up for a couple scenes. That’s a staggering roster of acting talent. It shouldn’t be possible to make a movie this bad with a cast that good. And yet somehow it is. And Child 44 is the proof.
It may not have a number in its title, but Mad Max: Fury Road is the fourth film in a series stretching back to 1979. And while original star Mel Gibson has been replaced by Tom Hardy, director George Miller is present and accounted for, still wrecking cars in the post-apocalypse for your amusement. The newest trailer for the Fury Road, labeled the “legacy trailer,” uses footage from the past films build up to the newest entry to remind potential viewers this isn’t just another action franchise. This is Mad freaking Max.
It’s hard not to exclaim “Oh what a lovely day!” every time we get to see new footage from Mad Max: Fury Road. Director George Miller’s long-awaited, highly-anticipated installment in the franchise is going to blow our minds with its extended chase sequence and intense action. It looks like those delays really paid off, as Miller devoted his time wisely to perfecting what could (and will likely) be one of the most epic action films of all time. Today brings two international TV spots, featuring a bunch of lovely, lovely new footage.
If you watched the latest Mad Max: Fury Road trailer and thought, “That movie looks freaking insane,” your instincts for insanity are apparently dead-on. Tom Hardy gave an interview to Esquire about the film, and every description he offers of the production makes it sounds just as bonkers as the finished footage. Like:
Mad Max: Fury Road is like the blockbuster version of a Stefan sketch from Saturday Night Live: “Hollywood’s hottest movie is Mad Max: Fury Road! This movie has everything: Cars with spikes, motorcycles on stilts, albinos with crazy teeth masks, guitars that spit fire!” At least in this trailer (and pretty much all the film’s trailers), the whole thing just looks absolutely bananas, not so much post-apocalyptic as post-sanity.