Colin Farrell

‘Widows’ Review: A Smart, Crowd-Pleasing Heist Thriller
‘Widows’ Review: A Smart, Crowd-Pleasing Heist Thriller
‘Widows’ Review: A Smart, Crowd-Pleasing Heist Thriller
Steve McQueen is a master of artful, searing dramas about fraught masculinity and suffering. Gillian Flynn is known for her twisty page-turners led by complex women carrying the burdens of trauma. Those two many not seem like the most likely of collaborators, but we get a beautiful marriage of their talents with Widows, a crowd-pleasing heist thriller with plenty on its mind.
‘The Killing of a Sacred Deer’ Review
‘The Killing of a Sacred Deer’ Review
‘The Killing of a Sacred Deer’ Review
Yorgos Lanthimos delivered one of the best films of 2016 with The Lobster, a darkly comedic and comprehensive satire of relationships and dating, featuring a wonderful performance from a schlubby Colin Farrell. If you walked away from that film thinking that maybe the director of Dogtooth was softening a bit, Lanthimos returns this year — schlubby Colin Farrell in tow — with his darkest film yet. The Killing of a Sacred Deer is a predictably uncanny, pitch-black tragicomedy that pits a narcissistic surgeon against a sociopathic teenager for what is undoubtedly one of the most disturbing cinematic experiences of the year.

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