Mistress America

Five Questions With ‘Mistress America’ Director Noah Baumbach
Five Questions With ‘Mistress America’ Director Noah Baumbach
Five Questions With ‘Mistress America’ Director Noah Baumbach
It’s a year of milestones for filmmaker Noah Baumbach. 2015 marks 20 years since his debut film, Kicking and Screaming, and a decade since his breakout indie as a writer and director, the autobiographical The Squid and The Whale. 2015 is also the first time in Baumbach’s career he’s released two features in one calendar year; his last effort, the outstanding While We’re Young, opened in theaters in April. Four months later, Baumbach returns with Mistress America, a bubbly screwball comedy about a lonely college freshman named Tracy (Lola Kirke) whose depressing social life gets a serious shot in the arm after she meets her vivacious new stepsister Brooke (Greta Gerwig).
‘Mistress America’ Trailer: Greta Gerwig Is So Delightful
‘Mistress America’ Trailer: Greta Gerwig Is So Delightful
‘Mistress America’ Trailer: Greta Gerwig Is So Delightful
The second trailer for Mistress America is just as wonderful as the first. The Frances Ha duo of star / writer Greta Gerwig and director Noah Baumbach return with what appears to be an equally charming and relatable follow-up about living in New York in your 20s. It looks as though their collaboration has paid off again, and we’re all happily reaping the reward.
‘Mistress America’ Trailer: Greta Gerwig Takes Manhattan
‘Mistress America’ Trailer: Greta Gerwig Takes Manhattan
‘Mistress America’ Trailer: Greta Gerwig Takes Manhattan
From the very beginning of his career, Noah Baumbach has drawn comparisons to Woody Allen. Like Allen, Baumbach makes witty, urbane comedies of manners, mostly set in and around New York City. Many feature nebbishy Jewish actors (Jesse Eisenberg, Ben Stiller). Now we can add another Allen comparison to the mix: Baumbach’s become so prolific he’s releasing two movies in one calendar year. He’s an obsession with the New York Knicks, a thick pair of glasses, and a complete fear of technology away from becoming indistinguishable from the genuine article.