Monday Morning Critic

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: shows that are in danger of falling into my DVR abyss.

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: reviews of iZombie and Undateable.

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: what makes The 100 a continual stand-out this year, and a review of Powers.

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: a look at the upcoming American Crime and praise for The Goldbergs.

In terms of its approach to the comedy/drama cut-off point, The Emmys have gone the way of pizza delivery: Television is apparently now thirty minutes or less, or it’s not funny. That’s the takeaway from its announcement last week of certain changes to its awards structure in future years. Comedy series are now defined as being a half hour or less, while drama series are anything over that thirty-minute demarcation.

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: my all-time cast of SNL.

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: what is holding this season of ‘Arrow’ back, and what the film ‘Boyhood’ says about the state of television.

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: a review of a new ABC comedy and a discussion of one of television’s most important narrative assets.

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: a review of the third season of ‘The Americans’ and a look at a recent example the true power of long-form narrative on TV.

Welcome back to another installment of the Monday Morning Critic. In this space each week, I’ll be looking at the week that was in addition to the week ahead in television. The format will shift each week, as the world of TV will dictate the form and content of each piece. In this week’s installment: two reviews and a hail of TV-related thoughts in bulleted form.