New York Film Festival

What if America is still living in an era of slavery? What if the abolition of slavery led to a collective consciousness that aligned people of color with definitions of criminality? That’s the argument Ava DuVernay’s latest documentary ‘The 13th’ makes, suggesting that for over a hundred and fifty years a societal behavior has developed where slavery can still exist under the guise of the mass incarceration.

The 2016 New York Film Festival is shaping up to have one of the most ambitious lineups in years. On top of opening with the very first documentary in the festival’s history with Ava DuVernay‘s ‘The 13th,’ this year’s fest will also host the world premiere of a big innovation in cinema technology.

The anticipation for the 2016 New York Film Festival has been high since Ava DuVernay was announced as the Opening Night filmmaker. Now that the main slate lineup has arrived, the fest looks even better.

In its 54 years, the New York Film Festival has never opened with a work of non-fiction, until now. This year’s festival will kick off with what may be one of the most important and politically relevant films of the year, Ava DuVernay’s documentary ‘The 13th,’ about the U.S. prison industry and the nation’s history of racial inequality.

Apple introduced the iMac computer to the market with one of the most famous marketing slogans of all time: “Think different.” If nothing else, Danny Boyle’s Steve Jobs embodies that sentiment.

With Bridge of Spies, Steven Spielberg continues the project he started with Lincoln: Using history to illuminate his vision of modern American values. But where Lincoln was about a “great man,” Bridge of Spies is about an ordinary one — an insurance lawyer from Brooklyn named James B. Donovan. In the late 1950s, Donovan was chosen by his peers to represent a captured Soviet spy, Rudolf Abel. But while most of Donovan’s colleagues (and even the presiding judge on the case) want him involved purely to give Abel’s trial the appearance of due process, Donovan actually mounts a rigorous defense of his client, at considerable risk to his reputation and even his personal safety.

Following a press screening of Robert Zemeckis’ The Walk, the opening film at the New York Film Festival, the director said part of what inspired his movie was that Philippe Petit’s real-life walk was never captured on film. While there are photographs of Petit walking on a high-wire between the Twin Towers on August 7, 1974, as explored in the Oscar-winning documentary Man on Wire, video footage of his audacious illegal performance doesn’t exist. In the film, Zemeckis attempts to turn the thrilling walk into an immersive experience with 3D and IMAX, but some moments, especially ones as majestic as Petit’s walk, should remain an unseen mystery.

"The only really stable character in this house is the cat," remarked a reporter at the press conference following the screening of 'Gone Girl' that kicked off the New York Film Festival. But as Tyler Perry said, "You haven't met the cat."

After his famous romp with Mark Wahlberg in 'Boogie Nights,' director Paul Thomas Anderson brings us back to the '70s with his upcoming film, 'Inherent Vice,' a highly anticipated project starring the likes of Josh Brolin and Joaquin Phoenix, and adapted from the Thomas Pynchon gonzo novel of the same name. With 'Inherent Vice' set to make its grand debut at this year's New York Film Festival, its first official look has emerged, toting Brolin's new haircut and tons and tons of pancakes.

The 2014 New York Film Festival was already looking to be a can't-miss event for cinephiles, given its previous announcements of gala screenings of David Fincher's 'Gone Girl,' Paul Thomas Anderson's 'Inherent Vice' and Alejandro G. Iñárritu's 'Birdman,' but the announcement of the festival's Main Slate selections brings with it some of the most highly anticipated titles of the year.