Sofia Coppola

Elvis’ late daughter sent two emails to Coppola about the film, which she found “vengeful and contemptuous.”

Elvis takes a backseat in this new biography.

Francis Ford Coppola pulls us back in with a new version of the controversial sequel.

The director and star of ‘Lost in Translation’ reunite for a movie about a marriage in trouble.

The team behind ‘Lost in Translation’ have a new comedy.

Nicole Kidman, Kirsten Dunst, Colin Farrell, and the rest of the cast of Sofia Coppola’s new remake lip synced “The Schuyler Sisters” in impressive fashion.

Earlier today, The New York Times published a fascinating, beautifully designed, and occasionally infuriating list of “The 25 Best Films of the 21st Century So Far.” Times critics A.O. Scott and Manohla Dargis named their picks, with Paul Thomas Anderson’s There Will Be Blood claiming the prize as the best film of the last 16 and a half years. Their list also surveyed some directors for contributions, and in a separate piece, the Times listed the favorites from a half dozen of the biggest directors working today.

Even by its normally prestigious standards, this was a pretty exciting year for the Cannes Film Festival. Surprise selections, an atypically fun jury, and countless debates about Netflix and the future of film exhibition all combined to make headlines all around the world. Oh, and there were also a handful of the most highly anticipated films of 2017 receiving serious recognition from the festival. You know, no big deal.

One look at the new poster for Sofia Coppola’s new dark period thriller The Beguiled, and you may think you’re in safe company. That’s certainly what Colin Farrell’s Union soldier thinks when he arrives, wounded, at a Confederate girls’ boarding school. Oh boy, was he wrong.

It’s almost as if Warner Bros. was waiting until they could tack on the Cannes Film Festival’s coveted Official Selection palm-leaf to release the new trailer for The Beguiled. Hot on the heels of the news that Sofia Coppola’s latest would make its world premiere on the banks of the Croisette, we’re getting our second major look at this adaptation of Thomas Cullinan’s 1966 novel. (Coppola has made it clear that her film will be an entirely different animal than Don Siegel’s 1971 take on the material.) And from the looks of it, things are not going to turn out so hot for Colin Farrell.