Tate Taylor

‘The Girl on the Train’ Review: Take the Next Train
It’s no wonder Paul Hawkins’ debut novel, The Girl on the Train, novel was quickly pegged “the next Gone Girl,” and that DreamWorks scooped up the rights a year before the novel hit shelves. It’s a murder mystery told by an unreliable narrator full of twists, sex and violence. It has all the makings of a hit. But here’s a hot take: despite topping the bestseller list, Hawkins’ book isn’t good. Piggy backing on the hype of Gillian Flynn’s work, the novel uses a gimmicky narrative structure to glorify melodrama and violence. That could’ve been salvaged as a high-intensity thriller that indulged in the trashy source material, but director Tate Taylor’s (The Help) adaptation falls ill to the same shortcomings of the novel, resulting in a sluggish mess of self-seriousness.
'The Girl on the Train' Gets 'Help' From Director Tate Taylor
The Girl on the Train, like The Goldfinch, has the potential to move from the New York Times best-sellers list to the box office top 10. Dreamworks optioned the rights to Paula Hawkins’ debut novel last year before the book even hit the stands, which should tell you that the adaptation of The Girl on the Train could be as big of a hit in theaters as its source material is on shelves.
'Get on Up' Trailer
Chadwick Boseman stars in the James Brown biopic 'Get on Up,' and now there's a trailer for the movie about the Godfather of Soul's rise to fame and fortune. Will this follow director Tate Taylor's 'The Help' in being both a late summer hit and an Oscar favorite? It's possible.