How ‘The Zookeeper’s Wife’ Became One of the Most Female-Centric Movies of All Time
It was 5pm on Friday afternoon in Midtown Manhattan, not the most desirable place to be on St. Patrick’s Day in New York City. Director Niki Caro had gone straight from a delayed red eye to a hotel to do interviews for her new historical drama, The Zookeeper’s Wife. Being one of the last people to talk to Caro after a six-hour-long press all day, I didn’t expect the liveliest of conversations. After all, we were talking about a Holocaust movie; how cheery could things get?