20th Century Women

Think there’s nothing good to watch on television? Think again — and check out our new series, On Demand With ScreenCrush. Every two weeks, ScreenCrush Editor-in-Chief Matt Singer joins you to recommend three handpicked films you can watch at home right now from Movies on Demand. These…

Due to what I am choosing to diplomatically refer to as “recent political shake-ups,” the future of women’s health center Planned Parenthood looks dark and uncertain. New bills have placed their all-important federal funding in jeopardy, and not the fun kind, where you get to sh…

There’s a scene in Mike Mills’ 20th Century Women that will be remembered as the film’s funniest, a moment that perfectly captures the essence of its trio of titular female characters. With a tinge of annoyance, Annette Bening’s Dorothea calls out her tenant Abbie, a red-…

In Mike Mills’ 20th Century Women, Greta Gerwig is a red-haired punk who listens to the Talking Heads, takes photographs of her belongings as a sort of pre-Instagram self-portrait series, and is recovering from cervical cancer. In every way, Gerwig’s Abbie defies the stereotypes of fem…

Early in 20th Century Women, Elle Fanning’s rebellious teenager Julie asks, “Don’t you need a man to raise a man?” With little pause, Annette Bening’s single mother Dorothea assuredly responds, “No, I don’t think so.” The latest from Mike Mills…

According to most people (on the internet, which is where most people live now), 2016 was horrific. It was a year in which we lost some of our best and brightest artists, a year in which we elected a president who will, according to Kate McKinnon’s Hilary Clinton, “kill us all,”…

How you define the “best” of something varies from one person to the next. The “best” movies can be the ones crafted with the most artistry, the ones that feel particularly culturally significant, the ones you can’t shake hours, days, or months after seeing them. O…

Now that the seemingly infinite hell of election season has reached its merciful end, it’s time to move on to what is pretty much the election season of movies: awards season! The Golden Globes, Oscars, industry guilds and various critical bodies will soon hand down their rulings on the best …

It’s 1979 in Santa Barbara: the hippie-dippie ‘70s are about to give way to punk and the wave of nihilism that goes with it, Jimmy Carter frets about a crisis of conscience on the TV set, and one kid’s trying to figure out how he fits into all of it.

If you look back on the last few years of the New York Film Festival, you’ll find a common, though unsurprising theme: a lot of male-dominated narratives, often about white men’s woes and triumphs. Last year’s line-up had The Walk, Steve Jobs and Miles Ahead, 2014 was notable fo…