Daniel Day-Lewis is known not only for his exceptional performances, but for the meticulous method he employs to achieve them. He’s also rather meticulous in selecting his roles; hardly surprising, given the time he devotes to each one. While Day-Lewis’ approach has yielded some of the finest acting in contemporary cinema history, it’s also led him to eschew quantity in favor of quality. In recent years, the acclaimed actor’s work has become more infrequent, and as he confirms in a new interview, it’s coming to an end with Phantom Thread.
Paul Thomas Anderson’s movies have always had a distinct look. That’s partly due to him using the same cinematographer for a number of his movies — Robert Elswit (Boogie Nights, Magnolia, Punch-Drunk Love, There Will Be Blood) — but mostly due to Anderson’s own sense of style. You only have to look at something like The Town, which Elswit also shot, to see that Anderson knows what he prefers his films to look like. Which is why it should come as no surprise that he’s acting as his own cinematographer for his newest film, currently being referred to as Phantom Thread.