Andres Muschietti

(Maybe Pennywise is a huge ‘Austin Powers’ fan?)

‘IT: Chapter Two’ will hit theaters in a little less than two years, on September 6, 2019.

If there’s one bone I can pick about the most recent adaptation of Stephen King’s It, it’s that the movie doesn’t spend enough time with Pennywise the Dancing Clown. Sure, we get that incredible opening sequence where he lures Georgie to his death, but people are right to call Bill Skarsgard’s character one of the most iconic horror characters in decades: he’s fantastically creepy and desperately in need of a lot more screen time. And now, with Andy Muschietti working on a director’s cut for the home video release, we might have one of the first scenes we’d like to see added back in.

The extended version of the film will feature 15 minutes of footage cut from the original theatrical cut.

Although Warner Bros. and New Line have yet to formally greenlight IT: Chapter Two, director Andy Muschietti and his producing partner (and sister) Barbara are already developing the follow-up to one of this year’s biggest hits. With a record-breaking opening weekend and screenwriter Gary Dauberman reportedly on board for the sequel, it shouldn’t be long before WB gives the go-ahead. Until then, Muschietti is spilling the beans on his plans for Chapter Two and how the young cast factors into the story, which is set 27 years after the first film.

Think the classic novel and miniseries is about a scary clown? A new video essay reveals the true meaning of Stephen King’s horror masterpiece.

Before the latest adaptation of Stephen King’s IT even hit theaters, early box office predictions suggested anywhere from a $60 to $70 million opening. By contrast, this year’s other big King adaptation, The Dark Tower, has grossed $47.9 million domestic in the month since its release. While we wait for the initial box office numbers to roll in, New Line is already developing a sequel to IT, but it probably won’t hit theaters until 2019.

Stephen King adaptations are a dime a dozen these days (almost literally; rights to his books are famously cheap), but a good Stephen King adaptation, like a properly cooked steak or a movie where Harrison Ford is actually awake, is exceedingly rare. Of the two adaptations of beloved King novels released this year, the idea that IT might be the superior of the pair seemed laughable a few months ago. IT is better than The Dark Tower in every conceivable way, but beyond the inevitable comparison, it’s just really good. Scary good, even.

Bram Stoker’s Dracula revolutionized the portrayal of vampires in popular culture forever, rebranding a central European legend into a scary, fascinating, unforgettable character that still haunts the public consciousness. And like any popular character, Dracula has gotten his fair share of speculative origin stories, from novels like Elizabeth Kostova’s The Historian to movies like Dracula Untold. Now, for the first time, the first Stoker-authorized Dracula origin tale, titled Dracul, is getting a film adaptation, and it might be directed by It’s Andres Muschietti.

One of the most challenging parts of any Stephen King adaptation is walking that fine line between childhood fears and adult terror. It is a perfect example: how do you take images meant to be frightening to 12 and 13-year-olds and adjust them for an adult audience? This is the formula that King has used to make him one of the most successful authors of all time, but stepping outside of the characters’ heads  —  and behind a movie camera  —  only ramps up the challenge of balancing tone just right. That’s why it’s been so heartening to hear It director Andy Muschietti say all the right things in pre-release interviews. For better or worse, it sounds like he really gets it.