Anya Taylor-Joy

The deliciously twisty thriller ‘Thoroughbreds,’ one of the best films from Sundance 2017, finally has a trailer.

Robert Eggers’ remake of the silent horror classic will reunite him with his original star.

After more than a year of rumors, hints and reports, Anya Taylor-Joy and Maisie Williams have officially joined the cast of New Mutants, one of a few upcoming projects set within the X-Men universe. The Fault in Our Stars director Josh Boone has long been attached to helm the project, teasing the Game of Thrones star’s potential involvement as recently as February. It’s another big step forward for New Mutants, which joins X-Force and Channing Tatum’s on again / off again Gambit movie in Fox’s lineup of forthcoming mutant spinoffs.

After years of toying with and publicly teasing the possibility of a sequel to his 2000 film Unbreakable, M. Night Shyamalan is finally ready to pull the trigger. The director has officially set a return to his darkly subversive take on the superhero genre as his next project. The follow-up, titled Glass, will hit theaters in 2019 — and those are the basics. If you want to know more, you’re warned of potential SPOILERS for another Shyamalan film with connections to Unbreakable.

When Olivia Cooke’s Amanda enters a lavish Connecticut home at the beginning of Thoroughbred, it’s immediately clear something is off. It’s not just the eerie pops and crackles of the film’s score, or the fact that the opening scene showed her taking a knife out of her bag after menacingly staring at a horse. It’s that her face is entirely drained of emotion. When scanning the smiley-faced family photos of her childhood best friend’s home, Amanda suddenly looks up, cocks her head, and shoots a freakishly phony smile into a mirror. She holds it for an uncomfortable beat, then, as if deciding that particular emotion didn’t fit her right, she reverts back to her blank expression. Amanda is a sociopathic bored suburban teen who tries on different emotions like clothes or a grand gesture of performance art. But little does she know, she’s not the only one with sinister tendencies.

Anya Taylor-Joy has only starred in four feature films, all of which opened within the past year, and already she’s become one of the most exciting young actors in the industry. She brought a haunting innocence to Robert Eggers’ stunning debut The Witch, she wreaked havoc in last fall’s Morgan, played Barack Obama’s college girlfriend in Barry, and now she stars opposite James McAvoy (or more like nine James McAvoys) in the latest M. Night Shyamalan mind-bending thriller.

The Visit was a fun, kooky and simple little horror flick that reminded audiences that M. Night Shyamalan still has the capacity to surprise and entertain us — but more than anything, it inspired optimism with the promise of more good things to come. Shyamalan has fully delivered on that promise with Split, an incredibly thoughtful and thought-provoking thriller. Although occasionally heavy-handed, Shyamalan’s latest is his most considerate and effective film in years, with a startling emotional core.

Anya Taylor-Joy has long been rumored for a role in Josh Boone’s New Mutants, one of Fox’s intriguing new additions to the X-Men franchise. Although Taylor-Joy — like rumored co-star Maisie Williams — can’t say with 100 percent certainty that she’s actually going to be in the movie, she can confirm someone who is: James McAvoy, her co-star in M. Night Shyamalan’s new psychological thriller, Split.

“You take the baton from the ones who’ve come before, and you carry it as far as you can. And maybe you hand it off.”

M. Night Shyamalan’s Split came as a welcome surprise when it debuted unannounced as the secret screening at last month’s Fantastic Fest, delighting audiences with a daring turn from James McAvoy (and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy and James McAvoy) as a mental patient harboring 23 distinct personalities in his head. Our own Britt Hayes was on the scene and reported back with a resoundingly positive review naming the new film as Shyamalan’s best in years. (Not an especially high bar, admittedly, but praise is praise.)