Francis Ford Coppola

‘Godfather’ Cast Reunites for a Panel of Production Stories
‘Godfather’ Cast Reunites for a Panel of Production Stories
‘Godfather’ Cast Reunites for a Panel of Production Stories
Despite its prime location in the heart of New York City, the Tribeca Film Festival has always been regarded more as a regional film festival than a destination for big world premieres. That being said, Tribeca does have one thing that other festivals lack: unfettered access to Robert De Niro, the festival’s co-founder and cinematic advocate for all things New York. This has made Tribeca a prime destination for anniversary screenings of some of the actor’s biggest films; in 2015, for example, Tribeca hosted a 25th anniversary celebration of Goodfellas with the cast and crew in attendance. And this year, De Niro has topped himself, bringing together the men and women behind The Godfather for a frank discussion about the film.
‘Francis & the Godfather’ Goes Behind Scenes of Mafia Classic
‘Francis & the Godfather’ Goes Behind Scenes of Mafia Classic
‘Francis & the Godfather’ Goes Behind Scenes of Mafia Classic
Francis Ford Coppola was a pretty intense dude during the ’70s. He damn near lost his mind while shooting Apocalypse Now in the jungles of Southeast Asia, a quagmire duly chronicled in the documentary Hearts of Darkness. While shooting The Godfather Part II on location in Trieste, Coppola told Italian journalists, “To some extent, I have become Michael.” He’s a larger-than-life character, and it’s only fitting that he’ll now be dramatized himself.
The 25 Blu-Rays Every Movie Lover Must Own
The 25 Blu-Rays Every Movie Lover Must Own
The 25 Blu-Rays Every Movie Lover Must Own
Given how much space physical media takes up, it’s hard for movie buffs to say no to the great promise of “cloud storage,” and the idea that we could summon anything we want to watch with just a couple of clicks. But so far, reality hasn’t matched the hype. Streaming services have been focused on exclusives and original programming, to the extent that the only way to have access to everything available is to spend hundreds of dollars a month on subscription fees. Meanwhile, older films keep disappearing from the digital archives; and even items that cinephiles “own” sometimes become inaccessible whenever software updates or a site shutters.

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