Kirsten Dunst

Michel Gondry and Charlie Kaufman’s movie about the delicate nature of memories only gets better with age.

These stars did commercial work before they hit their big breaks.

“ That was a huge part of my career and my life.”

Another day, another denial.

A few years ago, Raimi’s Spider-Man fell of favor. Suddenly, he’s cool again. Why?

“Stay tuned,” says Peyton Reed.

The character only briefly enters from the left and disappears off-screen a moment later as Nanette Cole (Milioti) meets the rest of her co-workers. Judging by the side-eye, we have to imagine Dunst is keeping close watch on the object of her (fictional) fiancé’s gaze. Admittedly, we may be projecting.

One look at the new poster for Sofia Coppola’s new dark period thriller The Beguiled, and you may think you’re in safe company. That’s certainly what Colin Farrell’s Union soldier thinks when he arrives, wounded, at a Confederate girls’ boarding school. Oh boy, was he wrong.

Step aside, Tom Ford, another scion of a vast fashion empire has deigned to make the jump into feature directing. Or rather, a pair — designers Kate and Laura Mulleavy, better known as the sister-creators of the haute couture label Rodarte, want to flex their artistic muscles a little more than the occasional fashion show can allow. Boutique distributor A24 was all too happy to accommodate the young visionaries, and will front their debut Woodshock for a premiere on September 15 of this year. This project has been an intriguing enigma for some time now, but between the striking poster released yesterday and this morning’s dreamy, beguiling new trailer, we’re getting a first look at one of this fall’s most intriguing new offerings.

It’s almost as if Warner Bros. was waiting until they could tack on the Cannes Film Festival’s coveted Official Selection palm-leaf to release the new trailer for The Beguiled. Hot on the heels of the news that Sofia Coppola’s latest would make its world premiere on the banks of the Croisette, we’re getting our second major look at this adaptation of Thomas Cullinan’s 1966 novel. (Coppola has made it clear that her film will be an entirely different animal than Don Siegel’s 1971 take on the material.) And from the looks of it, things are not going to turn out so hot for Colin Farrell.