Casey Affleck loves talking about movies, performance, filmmaking and story. He doesn't love how those conversations can be steered towards and twisted into portraits of his personal life, where gossip about his brother Ben Affleck and childhood friend Matt Damon wind up stealing the momentum of whatever project he's promoting. “Celebrity” often interferes with “actor” and, judging from his tone, it bugs the hell out of Affleck.
Luckily, for those aware enough to appreciate it, Affleck's career offers an abundance of meaty, provocative work worth talking about. The Oscar-nominated actor's recent credits include 'Ain't Them Body Saints,' 'The Killer Inside Me,' 'ParaNorman,' 'Gone Baby Gone,' and 'The Assassination of Jesse James by the Coward Robert Ford.' His latest, 'Out of the Furnace,' continues Affleck's trend of dissecting modern men as they stumble the throes of classic, dramatic storytelling. His character Rodney is an Iraq war vet struggling in the impoverished Rust Belt. To make ends meet, he bare-knuckle boxes — a hobby that causes friction with his brother (Christian Bale), and puts him and his boss (Willem Dafoe) in the crosshairs of a local gangster (Woody Harrelson). An implosion is imminent from the first time we see Affleck step on screen as Rodney.
I sat down with Affleck to talk 'Out of the Furnace' and the misconceptions that emerge from the never-ending maelstrom of gossip. Which eventually lead us to the actor's directorial debut, 'I'm Still Here,' the Joaquin Phoenix moc-doc that stands as one of the most under-appreciated films of the past decade.