There are many ways to rank the works of Tom Cruise. One might consider the quality of his performance, the overall caliber of the production, or the skillfulness of the action sequences. Those are all valid measurements, but I prefer to judge them according to what really matters: the uncanny beauty of Tom Cruise’s hair.
I’m currently working on an essay that considers Sandler as an artist and filmmaker. I don’t like Pixels (or Grown Ups [or Jack and Jill (or Just Go For It [or The Cobbler])]) but I have liked Adam Sandler movies in the past. My college dorm room VHS collection included Billy Madison and Happy Gilmore, and I was thrilled when he collaborated with Paul Thomas Anderson on Punch-Drunk Love. I think You Don’t Mess With the Zohan is an underrated movie (seriously; it’s funny and sweet). Despite mounting evidence to the contrary, I think he’s a talented guy with creative days ahead of him.
Technically, we don’t know who Christoph Waltz is playing in Spectre. But he sure looks like he’s a rebooted version of James Bond’s old arch-nemesis, Ernst Stavro Blofeld; legendary terrorist and leader of the evil organization SPECTRE. And even if it turns out that Waltz isn’t technically playing Blofeld, as the head of the reborn SPECTRE, he’s basically playing a new version of the same guy. Which got us thinking: What other classic Bond characters would we like to see added to current 007 continuity? Who should Daniel Craig square off with or romance with a pithy one-liner? In no particular order, here are our five top picks (along with five videos of the original versions of the characters in action):
What is the greatest American film of all time? According to BBC.com, who just released a brand new ranking of more than a century of great U.S. cinema, the old favorites are still the best; perennial pick for best film ever, Orson Welles’ Citizen Kane, came in first in a poll of “62 international film critics ... from the United Kingdom and continental Europe to South America, Australia, India, and the Middle East” and the United States as well.
As Ant-Man opens in theaters, we’re once again reminded to keep our big superhero-loving butts in our seats throughout the duration of any comic-book movie’s closing credits. (For Ant-Man specifically, you’re going to want to stay all the way to the very end, for an extra post-credits scene.) It’s become a superhero movie staple to have a scene tacked on to the end of the film that either teases an upcoming sequel or spinoff, pays off an unresolved storyline, or just sprinkles on one last dash of humor. We’ve gone through all the superhero post-credits scenes that have ever made their way to the big screen to rank them.
Let’s get real here: Being a superhero sucks. You get the crap kicked out of you on a regular basis. The police chase after you and accuse you of being a criminal. The media writes negative stories about you and calls you a public menace. You can’t hold down a job or maintain a stable love life, because you’re always leaving work or dates at a moment’s notice to save the world. You can’t charge any money for your efforts, because heroes are supposed to be selfless (and therefore dirt poor). There’s no union, so there’s no health insurance either (just think of the cost of the dental work to repair all those broken teeth). It’s a miserable, thankless life full of dedication, honor, and sacrifice. Yuck.
Casting the role of young Han Solo in the upcoming Star Wars anthology film is going to be one of the trickier tasks Lucasfilm and Disney have ever faced. They need to find an actor who not only has features that resemble something close to a younger version of everyone’s favorite intergalactic smuggler, but carries Harrison Ford’s signature swagger as well. The swagger part is the more difficult element in this equation, as few actors are equipped with that special quality, but we’ve come up with a list of a handful of young stars who might be up to the challenge.
Once upon a time, the evil computer program Skynet sent a killer cyborg called a Terminator back in time to kill Sarah Connor, the mother of the future leader of the human resistance in the war against the machines. When that failed, it sent a more advanced robot back in time to execute the young John Connor, but old John Connor sent back another robot to protect his younger self. And it only got crazier from there. Pretty soon, there were all kinds of flesh-covered robots floating around two separate timelines and it all got very confusing. Thankfully, we’re here to rank all of those time traveling robots so you don’t have to. Come with us if you want to rank fictional cyborgs.
Since some killers are a bit more imaginative than others, we’ve assembled a list of the 10 most clever horror movie slasher kills. In a genre where everyone is competing to stand out from the pack, these are the kills that reign supreme.
Even though Seinfeld ended its nine-season run on NBC in 1998, it’s never really gone off the air. It’s been kept alive through endless reruns and syndication, on DVD, and by the endless quoting of fans (yada yada yada). But there’s renewed interest in Seinfeld this week with the series’ debut on Hulu. Every Hulu subscriber can watch all 180 episodes of the landmark sitcom right now, which is leading a lot of folks to revisit their old favorites, or discover the show for the first time.