IMDB.com lists 159 acting credits for Samuel L. Jackson over a career that’s spanned more than 40 years. Jackson’s as versatile as he is prolific; though he’s likely best known for his action films and his flair for language (and especially profanity, his skills as a chameleon might be underrated. He’s made 160 films and television shows and looked like 160 wildly different people. Few actors seem to delight in the specifics of costuming, hair, and makeup as much as he does, and few have exhibited a wider array of hairstyles, facial hair, and wardrobes. From the earliest days of his career all the way up to next week’s ‘Kingsman: The Secret Service,’ nobody’s worn silver hair, a kilt, or exaggerated octopus-style eye makeup quite like Samuel L. Jackson. In honor of his great achievements in outlandish onscreen fashion, please enjoy this gallery spotlighting just a few of his many sartorial highlights.
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This week’s big new releases, ‘Jupiter Ascending’ and ‘Seventh Son,’ share something in common. Both were originally due out months ago, and delayed until this week for a variety of reasons. There is a widely-held assumption that delays can be directly correlated with quality, and that when something gets bumped off the release calendar it guarantees the movie is a dud. Now that assumption might be right this week, but films get delayed all the time for many reasons—and even if that reason is because they needs additional work, that doesn’t mean the revisions won’t be successful. While there have been plenty of delayed stinkers in Hollywood history (the ‘Red Dawn’ remake could have remained unreleased forever as far as I’m concerned), there’s also been a surprising number of movies that were held back unfairly; enough to suggest that this stereotype needs to be rethought, and to assemble the following list of good to flat-out great films that sat on a shelf:
Did you know that up until first ‘X-Men’ film required it, neither Patrick Stewart nor Sir Ian McKellan had ever played chess? Or that O.J. Simpson was once considered to play the Terminator but was deemed too likable to play a villain? We've collected 100 movie facts—some of which even the biggest film fanatics may not know.
This week sees the release of ‘Jupiter Ascending,’ the latest sci-fi adventure from Andy and Lana Wachowski. And while in all likelihood ‘Jupiter Ascending’ will not go down in history as one of the great works of its genre, the occasion of a new sci-fi epic from two of the modern masters of the form seemed like a good time to assess and celebrate the recent highlights of science fiction cinema, which has taken audiences from the furthest reaches of the cosmos to the deepest recesses of the human mind.
Is there anything better than a movie with a great theme song? Arguably, yes. But I’m still fond of theme songs anyway, particularly when said theme song shares an exact title with the movie it’s from. The eponymous movie theme song is a rare and sometimes strange breed; sort of like a hairless sphinx.
Before the first line of dialogue or scene, before the first appearance of the star or opening credit, there are the studio logos. These animated introductions have become ubiquitous (and sometimes, in the era of elaborate co-productions, a bit oppressive), but they are also the way all Hollywood films make their first impressions, and that’s why some directors adapt them to fit the specifications of their particular production. The ScreenCrush staff (okay just me) gets a big kick out of movies that do this well, so we (I) decided to honor the filmmakers who feel the same way with this lengthy (but by no means authoritative list) of our (my) favorites. In rough chronological order (with a few exceptions to group multiple films by one director together), here are ...
Okay, so there was a fair amount of disappointment around the 2015 Academy Award nominations. Everything was not awesome for ‘The Lego Movie,’ robbed of a Best Animated Movie nod, and David Oyelowo’s dreams of a Best Actor nomination vanished when Steve Carell and Bradley Cooper’s names were mentioned instead. ‘Force Majeure’ got snubbed for a Best Foreign Language Film nomination and ‘Selma’’s Ava Duvernay was robbed in the Best Director Category. I just keep looking at the list of nominations and playing “Sad Trombone” over and over again. It’s basically the official theme song of the 2015 Academy Awards.
Speaking frankly, I must confess that got into this whole writing-about-movies business specifically so I could spend my life avoiding things like mathematics and using my brain. But with 2014 winding down, I’ve been taking a look back at the year that was, and considering some of its ups and downs. ScreenCrush has already spent a lot of time on the creative highs and lows of the year, but what about the financial ones? Even if it meant doing some math, New Year’s Eve seemed like an appropriate moment to bust out my calculator and use it to make sense of the box-office numbers of 2014.
The release of ‘Big Eyes’ marks the 17th film of director Tim Burton and one of the biggest departures in his 30 year career as a feature filmmaker. A seemingly straightforward drama about painter Margaret Keane, the movie sees one of the most fantastical filmmakers in the world making a rare trip back down to Earth. To mark the occasion, we delved into Burton’s filmography with one mission: to rank his films from worst to best. Some choices were easy (he’s made some really lousy films) and others were difficult (he’s made a handful of genuinely great movies), and through it all, he proved to be fascinating, often maddening subject. Few directors stoke the ire of movie fans quite like Burton, but when he’s on point, no one can do what he does.
T-minus one week and counting until 2015 —and now that we’ve finally put our 2014 top-ten lists to bed, it’s time to turn our attention to the new year. From the looks of things so far, it should be a good one.