The energy level from last week’s ‘SNL’ season premiere wasn’t quite there with Saturday night's Sarah Silverman hosted effort. It was almost like last week felt like “we’ve got a cast we’re proud off; let’s show it off!” and this week was almost a little more experimental. (I realize, most likely, none of this was intentional.) Silverman was good in the respect that it at least appeared she was certainly trying, but sometimes stumbled over some lines (hosting ‘SNL’ isn’t easy!) and she would go back and forth from looking, at times, confident – obviously she was comfortable doing her standup act in the monologue -- and, at other times, looking a little off ... which all seems really reasonable. Oh, hey, here’s a scorecard for your Sunday morning...
On Thursday, Fox launched a new website called The River of Secrets in which people are encouraged to submit personal information about his or her loved one all in an effort to help promote the movie ‘Gone Girl.’ Sites like this already exist, but there is something hypnotizing about watching a human being’s greatest fears and concerns (or a public relations staffer’s best guess what someone’s greatest fear or concern might be) floating upstream into Internet oblivion.
Gillian Flynn's 'Gone Girl' was a divisive novel upon release in 2012, analyzed and picked apart, often scrutinized and questioned for its depiction of central character Amy Dunne -- was she a "strong female character" or a strong enough female character, and just what the hell does that phrase even mean anymore? It's almost derogatory now. There was perhaps no one better to adapt Flynn's pulpy work than David Fincher, whose film version hits theaters this week and faithfully adapts Flynn's story, serving as an indictment of media vultures and the toxicity of marriage. But it goes one (and even more) further than that, hitting on something imperative to Flynn's novel: how we want to perceive Amy, and how we feel about her as a character when that perception is challenged.
It's the final day of Fantastic Fest and only about two dozen other people were crazy enough to show up. After a week of movies, parties and other insane events at largest genre film festival in the United States, only a few handfuls of people were ready and prepared to tackle the nuttiest thing on the fest's schedule: the 324-minute director's cut of Lars von Trier's 'Nymphomanaic.'
That's no typo: this movie is literally five and a half hours long
The first batch of mainstream films about dating, romance, and seeking connection on the Internet – think ‘You’ve Got Mail,’ ‘Must Love Dogs,’ and even ‘Euro Trip’ – didn’t demonize the relatively new technology, they instead mined it as another way to illuminate and examine human relationships. For romantic comedies and more sex-fueled outings, the Internet simply provided a fresh place for its characters to meet cute. Yet, as the Internet has become more normalized in actual society, its portrayal on the big screen has gotten consistently more nefarious – meeting cute no longer seems probable, it doesn’t even really seem possible.
People love watching famous people accept trophies. So, every so often, The Huffington Post’s Chris Rosen and ScreenCrush’s Mike Ryan will speculate about these trophies and which famous person might win one. It will be fun. Let’s talk some trophies! Today, we pick up where we left off last week and continue to discuss why 10 Best Picture nominees isn't working and we discuss the Oscar potential of 'Gone Girl' (which premiered last Friday at the New York Film Festival)
The greatest movie trailer of all time is the first trailer for ‘Star Wars: Episode I – The Phantom Menace.’ This is not up for debate. This is not a subjective opinion. It just is. The trailer for ‘The Phantom Menace’ is so good that I firmly believe its goodwill bled over to the actual movie, inflating some early opinions of a movie that we all, now, realize isn’t very good. (I readily admit that I loved ‘The Phantom Menace’ the first time I saw it.) Here’s a fun thing to try: Forget everything you know about ‘The Phantom Menace’ and just pretend this is a brand new trailer for a ‘Star Wars’ movie.
Yeah, there's a lot of great content coming to Netflix Instant in October, but if you're an Amazon Prime subscriber, don't let that premium subscription go to waste! As a bonus, there's some good horror content hitting the service to provide some thrills and chills leading up to Halloween. And if you're willing to pay a little extra, you can rent or buy a season pass for a handful of some brand new seasons of TV shows. Read on for our guide to the newest titles heading to Amazon Prime Instant Video this October.
‘Gotham’ is not a good television show. As we discussed last week, it could be a good show, but it needs to embrace the fact that it’s pure camp and stop trying to pretend that it’s a Serious Drama. And, again, it’s been awhile since we’ve had a campy superhero property; it could be fun! (Then again, there technically isn’t a superhero in this show because Bruce Wayne is a little kid. Never mind.) Anyway, for the meantime, ‘Gotham’ does take itself seriously and as long as it does, we will list the “moments that unintentionally made me laugh out loud” in every episode.
Don’t believe the pre-release speculation – when 'Gone Girl' arrives in theaters this Friday, its original ending is (in spirit, if not exact detail) intact. That’s sure to rankle some of the countless readers who originally objected to Gillian Flynn’s 2012 best-seller on the basis of its conclusion.