‘Gotham’ continues to be a laugh out loud hilarious show, even though it’s not really designed to be funny. As we’ve said, ‘Gotham’ would be best just to stop pretending that it’s a serious show and just own the fact that it’s almost as campy as its ‘60s era ‘Batman’ counterpart. On this week’s episode of ‘Gotham,’ a villain, played by former ‘Daily Show’ correspondent Dan Bakkedahl, terrorizes Gotham City with balloons. Here are the 17 moments on ‘Gotham’ that made me laugh out loud.
No genre inspires as many cliches, both beloved and hated, as horror. Put on any random slasher movie while a horror buff is in the room and chances are strong that he'll be able to map out every moment, and every poor decision on the part of the main characters, a half hour in advance. However, that horror buff will also tell you that the predictability of it all can be a lot of fun.
ScreenCrush’s Comic Strip is a weekly roundup of the hottest superhero movie/TV news items. From Marvel to DC and points in between, if it pertains to costumed comic book heroes, we’re covering it here, bringing you our expert analysis. This week, Joaquin Phoenix officially drops out of 'Doctor Strange,' 'Fantastic Four' offers a small update, and a bunch of clips from your superhero TV show of choice are available to watch.
The most vital piece of television criticism this past week came from The Huffington Post’s Maureen Ryan. In writing about the recent string of ‘Outlander’ episodes, she noted something revolutionary in its storytelling, primarily centered around its catering to the female gaze. It’s an important piece not only for what it uncovers, but also in how both Ryan’s article (and ‘Outlander’ itself) are another piece of the ever-evolving viewpoints that TV can sustain and foster.
The energy level from last week’s ‘SNL’ season premiere wasn’t quite there with Saturday night's Sarah Silverman hosted effort. It was almost like last week felt like “we’ve got a cast we’re proud off; let’s show it off!” and this week was almost a little more experimental. (I realize, most likely, none of this was intentional.) Silverman was good in the respect that it at least appeared she was certainly trying, but sometimes stumbled over some lines (hosting ‘SNL’ isn’t easy!) and she would go back and forth from looking, at times, confident – obviously she was comfortable doing her standup act in the monologue -- and, at other times, looking a little off ... which all seems really reasonable. Oh, hey, here’s a scorecard for your Sunday morning...
On Thursday, Fox launched a new website called The River of Secrets in which people are encouraged to submit personal information about his or her loved one all in an effort to help promote the movie ‘Gone Girl.’ Sites like this already exist, but there is something hypnotizing about watching a human being’s greatest fears and concerns (or a public relations staffer’s best guess what someone’s greatest fear or concern might be) floating upstream into Internet oblivion.
Gillian Flynn's 'Gone Girl' was a divisive novel upon release in 2012, analyzed and picked apart, often scrutinized and questioned for its depiction of central character Amy Dunne -- was she a "strong female character" or a strong enough female character, and just what the hell does that phrase even mean anymore? It's almost derogatory now. There was perhaps no one better to adapt Flynn's pulpy work than David Fincher, whose film version hits theaters this week and faithfully adapts Flynn's story, serving as an indictment of media vultures and the toxicity of marriage. But it goes one (and even more) further than that, hitting on something imperative to Flynn's novel: how we want to perceive Amy, and how we feel about her as a character when that perception is challenged.
It's the final day of Fantastic Fest and only about two dozen other people were crazy enough to show up. After a week of movies, parties and other insane events at largest genre film festival in the United States, only a few handfuls of people were ready and prepared to tackle the nuttiest thing on the fest's schedule: the 324-minute director's cut of Lars von Trier's 'Nymphomanaic.'
That's no typo: this movie is literally five and a half hours long
The first batch of mainstream films about dating, romance, and seeking connection on the Internet – think ‘You’ve Got Mail,’ ‘Must Love Dogs,’ and even ‘Euro Trip’ – didn’t demonize the relatively new technology, they instead mined it as another way to illuminate and examine human relationships. For romantic comedies and more sex-fueled outings, the Internet simply provided a fresh place for its characters to meet cute. Yet, as the Internet has become more normalized in actual society, its portrayal on the big screen has gotten consistently more nefarious – meeting cute no longer seems probable, it doesn’t even really seem possible.
People love watching famous people accept trophies. So, every so often, The Huffington Post’s Chris Rosen and ScreenCrush’s Mike Ryan will speculate about these trophies and which famous person might win one. It will be fun. Let’s talk some trophies! Today, we pick up where we left off last week and continue to discuss why 10 Best Picture nominees isn't working and we discuss the Oscar potential of 'Gone Girl' (which premiered last Friday at the New York Film Festival)