TV Reviews

‘American Horror Story: Freak Show’ Review: “Orphans”

by Britt Hayes 19 hours ago
For the second week in a row, ‘American Horror Story’ has delivered a pretty solid episode—it could be due in part to the increasingly smaller number of carnival performers combined with the show’s rotating system, which makes at least one cast member (or attraction, in the parlance of a sideshow) sit out each week in order to focus its narrative efforts elsewhere. And maybe “Orphans” works because it tells a story that’s genuinely sad, which accentuates the horror of the hour. And maybe I also think this episode is great because Lily Rabe reprises her role as Sister Mary Eunice, and she is a total queen.

‘The Legend of Korra’ Book 4 Review: “Kuvira's Gambit”

by Matt Patches 7 days ago
When Kuvira’s towering war machine lumbers into silhouetted view for the first time, ‘Legend of Korra’ strikes tangible fear. There’s tremendous payoff to the apocalyptic moment; With Varrick’s technology and the Korra Kaiju previously established Korra Kaiju, there was room for the show to go full Gundam from the beginning of Book 4. Instead, moral questioning transformed the show’s final season into a thinly veiled World War II allegory, complete with an unstoppable force.

‘American Horror Story: Freak Show’ Review: “Tupperware Party Massacre”

by Britt Hayes December 10, 2014 @ 10:52 PM
Great news, everyone: The horror and darkness have creeped back into ‘American Horror Story’ at last. And while the continuing narrative of Jimmy the Hero vs. Dandy the Villain doesn’t quite manage to be something greater than the sum of its parts, the ‘Freak Show’ delivers the first solid episode in weeks. The ghosts of the past invade the present with a surreal quality that echoes the way Jimmy’s brain is clouded by alcohol, or the way Dell—through misery and frustrating uncertainty—writes and rewrites his intended suicide letter. But it’s Dandy and Stanley who bring the real discomfort and unease to “Tupperware Party Massacre.”

‘Arrow’ Midseason Finale Review: “The Climb”

by Kevin Fitzpatrick December 10, 2014 @ 9:49 PM
The CW
‘Arrow’ season 3 lets loose its ninth installment of the year with midseason finale “The Climb,” as Oliver faces off with Ra's al Ghul over the identity of Sara's killer, while Laurel is forced to confront her family with the truth, and Felicity discovers the scope of Ray Palmer's plans for Starling City.

‘Sons of Anarchy’ Series Finale Review: “Papa’s Goods”

by Kevin Fitzpatrick December 10, 2014 @ 10:43 AM
‘Sons of Anarchy’ season 7 roars out its 13th and ultimate episode of the final year, series finale “Papa’s Goods,” as Jax deals with the fallout of last week’s brutal deaths, trying to spare SAMCRO another visit from the reaper in the war with the Irish, Charlie Barosky and August Marks.

‘Agents of S.H.I.E.L.D.’ Midseason Finale Review: “What They Become”

by Kevin Fitzpatrick December 9, 2014 @ 10:42 PM
Marvel / ABC
Marvel’s ‘Agents of S.H.I.E.L.D.’ assembles its tenth season 2 installment in midseason finale “What They Become,” as Skye finally comes face to face with her father, while Coulson and the team uncover the truth about the mysterious hidden city, and a larger connection to the Marvel universe is revealed.

‘SNL’ Reunites James Franco and Seth Rogen to Talk About the Sony Hacks

by Jacob Hall December 7, 2014 @ 8:40 AM
Since James Franco was around to host this week’s ‘SNL’ as part of promoting his upcoming comedy ‘The Interview,’ it was inevitable that his frequent collaborator and co-star and director, Seth Rogen, would pop in to say hello. And they couldn’t have picked a better way to bring him into things. Since ‘The Interview’ is causing all kinds of real-world mayhem, they did what any self-respecting funny people would do: they made fun of it.

‘American Horror Story: Freak Show’ Review: “Blood Bath”

by Britt Hayes December 4, 2014 @ 12:28 AM
There is a figurative line, somewhere on television, between tedious melodrama and soap opera theatrics, and yet another line exists over which you can cross into the blissful, Lynchian territory of self-awareness and not-quite-rightness. In that surreal place, soapy theatrics and camp are embraced satirically and knowingly because this is a place that looks like somewhere you know but feels like an unsettling dream. I don’t think ‘American Horror Story’ is on the same level as David Lynch, but I’m starting to convince (delude) myself into thinking that maybe after tonight’s “Blood Bath,” it’s attempting to play with the same tones.